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A peek into our ‘new’ office

Category: ⚐ EN+architecture+eu:live

Ecosistema Urbano office in Madrid

Exterior view of the first two floors, now part of Ecosistema Urbano’s office. Photo: Emilio P. Doiztúa.

Growth

Our office has always had two floors: a ground floor and a basement, connected by the iconic red stairs you may have seen in previous pictures. During several years, the size of the company remained stable and the spaces fit perfectly our daily work: a single room for the whole team, a meeting room, a kitchen-slash-library and a secondary work and meeting space in the ground floor.

In the last three years, however, Ecosistema Urbano has seen a sudden growth, more than doubling its usual size at some point. It was getting harder to fit so many people in our existing spaces.

Some limitations of the office were also sinking in: the lack of natural light, on one hand, and the lack of separated spaces, on the other. At this point, we decided to take the leap… and expand.

Ecosistema Urbano office in Madrid

View of the new common workspace in the first floor. Photo: Emilio P. Doiztúa.

Moving into the first floor

Recently, we acquired the first floor in the same building, and started the refurbishment process while we continued working in the ground floor and the basement. The building where our office sits was rebuilt after the Spanish civil war, using a wooden structure filled with brick and—as we found out during the construction process—debris.

The first challenge was to expose and reinforce the structure, which had been partly eaten up by termites, and to level the floor, which had a 40 cm—yes, 0,4 meters—difference in a just 10 m wide flat.

The second challenge was to turn the three different floors into something that would feel and behave like a single office. This required fitting a new internal staircase in the limited space available around the central patio.

Drawing of Ecosistema Urbano office in Madrid

Drawing of Ecosistema Urbano office in Madrid

Drawing of Ecosistema Urbano office in Madrid

 

Ecosistema Urbano office in Madrid

View of the internal stairs between the ground floor and the 1st floor. Phoot: Emilio P. Doiztúa.

Upgrading the common spaces

The kitchen/library has always been a key part in our daily routine. It’s the place where we socialize, distend and—as part of a singular and valuable tradition—cook and eat together.

By moving the main workspace to the first floor, we freed the whole basement to become a full-time social and creative space. It is now the most multifunctional space, including a workshop equipped with a 3D printer and some electronic tools, a bigger kitchen for coffee breaks and daily cooking, a cool place for our server, a quiet reading corner, a ‘bunker’ room for private meetings and a space for lunch, talks and creative workshops.

Ecosistema Urbano office in Madrid.

View of the flexible space in the basement. A place for creation and social exchange. Photo: Emilio P. Doiztúa.

Ecosistema Urbano office Madrid

View of the refurbished kitchen, now finally up to the task of cooking everyone’s daily lunch. Photo: Emilio P. Doiztúa.

Subdividing the office!

During the last decades, especially with the surge of coworking and certain startup culture, there has been a huge trend towards open or shared office spaces. The practical truth, however, is that even in the ‘digital age’ there is much need for separated spaces. The more global and digital a company becomes, the more different conversations have to take place at the same time without interfering with each other.

So our new office has gone from 2 to 6 meeting spaces, divided by glass walls and sound-tight doors, while keeping the same open concept for the main working area and the basement.

Ecosistema Urbano office in Madrid

View of one of the new separated workspaces, a small workshop in the 1st floor. Photo: Emilio P. Doiztúa.

View of two of the new meeting rooms. At the back, our main meeting room or “space capsule” to the world. Photo: Emilio P. Doiztúa.

View of two of the new meeting rooms. At the back, our main meeting room or “space capsule” to the world. Photo: Emilio P. Doiztúa.

On a small note, if you are wondering about the lighting: it’s custom-designed, made in our new ‘workshop’ with a combination of off-the-shelf components and 3D printed parts. But we will be sharing more about them soon, so we will just leave you with a teaser for now:

Ecosistema Urbano office in Madrid

You can see more pictures about this project in our portfolio.

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Un nuevo frente marítimo para Palma de Mallorca

Category: ⚐ ES+espacio público+sostenibilidad+urbanismo

En 2018, la ciudad de Palma de Mallorca se propuso reformar su paseo marítimo frente a la zona portuaria, y convocó un concurso abierto para ello. Hoy os contamos algunos detalles sobre nuestra propuesta, que quedó finalista.

El reto consiste, principalmente, convertir lo que ahora es una barrera, un borde, en un nuevo espacio urbano que conecte la ciudad con el puerto. Nosotros proponemos una transición en la forma de entender ese espacio público, desde concebirlo como un “paseo” lineal a verlo como un “frente” marítimo más amplio, un lugar donde la ciudad pueda expandir sus usos actuales y descubrir otros nuevos.

La propuesta es crear un espacio con nuevas cualidades, un eje cívico donde la ciudad pueda ver reflejada su identidad, aportando representatividad y, sobre todo, añadiendo a ese espacio valor de uso para ciudadanos y visitantes. No se trata, por tanto, solamente de un proyecto de pacificación del tráfico y renaturalización, sino de caracterización y activación.

El enfoque general del proyecto se puede desglosar en una serie de criterios o líneas de actuación. Estas líneas se han agrupado en cuatro “frentes” (integrado, ambiental, activo y conectado) entendidos como capas del frente costero que sintetizan las prioridades de la propuesta e ilustran la visión de la ciudad que la sustenta.


continue reading

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Turning alleyways into active pedestrian passages | Open Shore Project

Category: ⚐ EN+architecture+design+ecosistema urbano+urbanism+work in progress

Part of the Open Shore Project was to create a lively urban ecosystem nearby the shore of West Palm Beach, and one of the things that interested us the most was a dark and dirty alleyway near the Banyan Hub. When a city lacks public spaces, every corner, shore or even an alleyway can become a part of the urban ecosystem. These secondary narrow streets are unique opportunities for transformation.

This is how we proposed to activate this space:

The passageways

From Service Alleyways to Surprising Passageways

The alleyways will undergo a rapid activation process ranging from temporary interventions to the development of permanent structures and spaces to host new programs. Walkability, security, and comfort will be the first priorities to be addressed by means of active and passive climatic mitigation, new waste disposal and lighting systems, etc. Activities will disperse later into adjacent public spaces and buildings and these revamped ‘passageways’ will become thematic routes connecting different parts of the city. keep reading about the passageways!

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Banyan Hub: A new urban ecosystem for West Palm Beach | Open Shore Project

Category: ⚐ EN+architecture+design+ecosistema urbano+urbanism+work in progress

The Banyan garage is envisioned as a new beacon for activities in downtown. This hybrid and flexible building will be open to the public all day long and will be an active presence in the city, producing culture, knowledge, and goods, while attracting businesses, talent, and innovation with its attractions.

Its configuration allows many different uses to coexist, which also makes it flexible to permit future changes in use.

It is a permeable building, open, and accessible to all citizens, a true part of the city from the ground floor to the public roof terrace. Its bioclimatic design, based on a green permeable facade and two big thematic courtyards -natural and digital- will provide pleasant internal climate moderation throughout the year while reducing environmental impact and management costs.

The Banyan Hub is, not only tightly connected to the street: it takes the street and its energy inside and makes it one of its core features. Folding, twisting and ramping up towards the open terrace on the roof, this new kind of street provides a unique urban-like experience inside the building, but also retains many of the features of an ordinary street.

Section of Banyan Hub, an Urban Ecosistem in the Heart of West Palm Beach

Areas of the building will be open to the public at anytime. The building may be accessed by many modes of transportation such as pedestrians, cyclists, skaters, and light vehicles. It connects different uses along its path — from businesses to cultural spaces to public plazas.

Prioritizing public accessibility is integral in ensuring that this project has a landmark presence in West Palm Beach. Banyan Hub is envisioned as an urban ecosystem where users can satisfy their wants and needs without ever having to leave the building. Banyan Hub is sure to set the tone for the future of West Palm Beach as a collaborative, sustainable, and creative city.

The Banyan Hub includes a series of public spaces located at different levels connected by a re-envisioned parking ramp which provides access to different spaces and twists around the courtyards.  

+A flexible square at ground level which consists of an open hall connected to the surrounding streets and to the passageway at the back of the building.

+A covered but open air plaza at an intermediate level of the building, right where the two courtyards begin. This space is the heart of the Hub and plays a crucial role in its climatic conditioning and cultural activity. 

+A top terrace, overlooking the lagoon which offers a panoramic view of the natural environment and of the whole downtown. Relaxing and breezy like the decks of a cruise ship, it is and an ideal place to begin a stroll through the building and along the waterfront.

 

One of the most important qualities of a city is the ability to evolve by changing its uses and its physical configuration according to the needs of the society that lives in it. The Banyan Hub materializes these principles as it being conceived in a way in which changeability is the only constant. It will remain open to transformation by its managers and users, embracing evolution as a way to stay useful and relevant. This will be achieved by introducing changeable programs and spaces between fixed elements, and designing movable physical delimitations and reconfigurable technical infrastructure.

Change is the only constant

The rich mix of different uses in close proximity helps create situations where activities can complement and benefit each other. This also gives a special character to each part of the building, enabling interactions that would not take place in a conventional building.

In order to become the everbeating heart of West Palm Beach, Banyan Hub will include a diverse and complementary set of programs, balancing the type of activities, desired level of comfort, need for equipment, and profile of the participants throughout the day. The scale of the Hub allows the coexistence of various uses, bringing together diverse age groups, interests, and communities.

Management & Stakeholders

The Banyan Hub operational model could be developed as a public-private partnership. The main partners could be comprised of the City, private companies, non-profits, athletic associations, and other organizations. This would beg the creation of a managing board which would share the funding, ownership, and decision making responsibilities of the building.

This board would take care of the construction and later lease spaces and equipment to other urban stakeholders. It would also create working committees for logistics and maintenance, programming, communication, and participation. It would serve as a mediation entity between institutions, the general public, entrepreneurs, and other potential partners.

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Atmospheres for Social Interaction | Workshop and lecture in Helsinki

Category: ⚐ EN+architecture+city+events+news

Next Thursday 23rd and Friday 24th José Luis Vallejo will be giving an open lecture and leading a workshop at the Aalto University Department of Architecture.

The workshop will develop the topic “Atmospheres for Social Interaction”. How can we, as architects or urban planners, support the development of the social aspect of urban life?
Lecture and workshop by Ecosistema Urbano at the Aalto University Department of Architecture

Location: Lecture Hall A1 at the Lecture Graduate Centre, Aalto University
Lecture: November 23rd, 17:00h
Workshop: November 24th, 10:00-18:00h
Original call: www.groupxaalto.fi

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Concurso internacional Santiago Ecologías Emergentes | Santiago de Chile 2016

Category: ⚐ ES+concursos+paisaje+sostenibilidad

header

Desde el 1 de mayo están abiertas las inscripciones para participar en el Concurso internacional de ideas SEE / Santiago Ecologías Emergentes. El Comité Científico contará entre sus miembros con Belinda Tato y José Luis Vallejo. continue reading

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City Splash! for Copa Cagrana Neue | ecosistema urbano + transform.city proposal for Vienna

Category: ⚐ EN+architecture+city+ecosistema urbano+landscape+news+sustainability+technologies+urbanism



Last November we were selected, in collaboration with Transform.city, to participate in the Neue Copa Cagrana International shortlisted competition in Vienna (Austria). The scope of the competition was the urban revitalization and definition of the Master Plan in the area Neue Copa Cagrana defining an urban proposal and the relationship of this part of the city with the river.
We were selected along with other 8 teams, including renowned firms such as Dominique Perrault, AZPML, or West 8.

The context: Donau City, Vienna

The study area is located next to Donau City, on the left bank of the new Danube Canal, Neue Donau, passing through the city of Vienna. It is a neighborhood of mainly tertiary character with office buildings of great height, developed in the last 20 years, including the Vienna International Centre.

Copa Cagrana – the intervention area, between the Danube and the new urban area with the D. Perrault’s tower

Despite the good connection with the city center, the large number of buildings and the excellent existing natural qualities, the area is almost deserted during day and night. This is mainly due to the lack of variety of uses, commercial facilities and recreational areas.
The proposal develops a series of strategies to revitalize an area that already has the optimal conditions to become a landmark for the city of Vienna:

FOUR OBJECTIVES

1 – Increase density and urban mixture

The proposal aims to incorporate urban, commercial and leisure life at a time when Vienna is starting to look for other forms of identity for the river area. It is important to bring new residents to help to create urban activity throughout day and night, summer and winter seasons by permanent and temporary uses. The mixed-use and residential functions in the first row, including the urban boulevard, have the potential to complete and complement the existing urban fabric and establish, for the first time, the necessary connections to make Donau City a functioning and exciting neighbourhood.

Activity diagram for the different seasons

The project proposes a high density urban prosthesis, combining housing, office, commercial and public space, in order to create an active urban spot connected to the surrounding, improving its identity and multiplying the possibilities of use.
The proposal seeks to make Donau City easier to be understood and perceived, with a clear connection to Danube river and its waterfront. Therefore, the proposal is the missing link to the completion of the Donaustadt and is, at the same time, the necessary catalyst to enable the urban regeneration in the area.

2 – Create new urban spots

Copa Cagrana will be an exciting new urban spot in Wien, which is perfectly connected to the city network thanks to the transport connectivity and subway line. Through the physical proximity with existing Donau City, Donau Insel and surrounding neighborhoods, the area will increase popularity and will offer more attractions to the users.
The newly created waterfront will be an urban catalyser with a variety of urban functions, with uses according to the seasons and day and night time:
The FILTER ZONE is a more quiet area free of commercial activities.
The TEMPORARY ZONE changes according the different seasons, with beach bars in the summer, pop-up restaurants, terraces and platforms, etc.
The WATERFRONT is an enjoyable walkable strip with piers and exciting water activities for summer and winter.

The FILTER ZONE

3 – Renaturing (urban+nature landscape)

A new urban and natural environment intrinsically connected with surrounding nature.
It will be the connecting environment between Donauinsel and Donau Park but also extending its limits over the water landscape of Neue Donau to create a vibrant and diverse waterscape.

 

Masterplan 1:1000

4 – Digital Identity – web app strategy

It is important to create the communication channels in order to advertise and share information about the ongoing activities and as a way to share potential ideas to be implemented. This web APP is thought to work as a social network that provides information for the citizens of Copa Cagrana on what kind of activities they can do on this renewed urban area.
Users will be able to register and create a user profile, with this, they will have the opportunity of proposing activities that will make use of the beautiful surroundings and installations of this urban space. The commercial sector will also have their own space. They will have the possibility of creating a profile which will allow them to publicize their products and business, as well as invite and inform citizens about special deals, offers, events and other celebrations.

 

FIVE NEW URBAN ZONES

Cross Section

Seeking to achieve these four objectives, the proposal creates 5 zones acting together and related to each other:

Zone C+: Infiltration city

The energy of city life will splash towards Donau City and the urban plinth will extend its limits to bring activity and reconfigure the public spaces around the corporative and residential buildings. These urban tentacles will extend urban plinth limits with linear and small scale pavilions, pop-up stores and cafes, etc. reconnecting and renewing the pedestrian pathways of the Donau city.

Elevation

Zone C: Social life city

Zone C proposal is the most powerful urban energy boost, as it provides a large amount of overlapped new programs and public spaces easily accessible at different levels.
Areas:
Urban plinth: fragmented construction from 1 to 4 stories high, multiple programs with predominance of commercial spaces overlapped with public spaces at different levels.
Vertical ecosystems: housing towers with a myriad of different typologies to create a diverse neighbourhood. The housing units help to create a dense neighbourhood with urban life throughout the day.
Urban bridge: On the tenth floor, same level as the top terrace of the existing linear building of social housing, a bridge is creating connections between semi public spaces, with diverse programs within the vertical ecosystems.
Public peaks: the top floor of the different towers is also part of the network of semi public spaces within the vertical ecosystems. These spaces can hold multiple programs and part of their success will be the privileged point of view of the city (terraces, cafes, common spaces,… )

Zone B: nature city

This is a zone where nature is predominant and the urban plinth is melting its limits with the landscape. At the same time, the natural character of this area helps to make the transition between the bigger, urban scale of zone C and both the lower scale of zone B and the waterscape towards Donauinsel, combining natural areas with paths for soft mobility.

Different cross sections in zones A and B

Zone A: Leisure city

Leisure cityscape to allow the transition between the formal city and the vibrant and ever changing new waterscape of zone C+. It will hold multiple permanent uses but also temporary programs and seasonal activities. There are multiple temporary and permanent uses in small buildings with similar language, as well as a new riverside walk that will extend to create a comfortable linear space. The relationship with water and the elevation difference will be resolved with a wooden platform that will act as an urban sofa to relax and enjoy the presence and proximity of the river.

Zone A+: Water city

Vibrant and ever changing waterscape in continuous evolution. It will extend the activities of the new urban spot towards the water.

Masterplan 1:2000

+ water pier: permanent pier, water thematic. Light structure with indoor and outdoor spaces to allow the creation of different bathing experiences. The use will change seasonally, during the winter, outdoor and indoor climatized pools will allow the user to be in connection with the surrounding natural landscape while having a pleasant bathing experience.

The water pier for summer activities

+ ice pier: permanent pier, ice and climbing sports oriented. Light structure with a strong seasonal connection. During the winter, part of the structure will be a huge frozen and faceted vertical surface to practice ice climbing, while the lower platform will host different ice skating outdoor rinks to practice in connection with the water and natural landscape. During the summer the ice surface is transformed into a huge waterfall falling from the upper level into the river.

ice pier_con nieve

The ice pier for winter climbing

+The urban archipelago: big modular and floating ever changing extension of the waterfront. The different seasons and uses will dramatically transform its configuration. This mutant landscape is built with modular floating platforms/barges that can be combined to create larger flat surfaces if necessary. These platforms can be connected to the limit line of the waterfront to extend its surface.

If you want to know more about the proposals you can download the competition panels here:
Panel 1   Panel 2   Panel 3   Panel 4

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UABB Shenzhen Bi-city Biennale | experimentación detrás de la instalación Networked Urbanism

Category: #followcreative+⚐ ES+arquitectura+arte+comunicación+creatividad+diseño+ecosistema urbano+investigaciones+networkedurbanism+open culture+proyectos+tecnologías+video

Como os contamos anteriormente en este post, el pasado Diciembre realizamos la instalación Networked Urbanism en la UABB | Bi-city Biennale of Architecture/Urbanism en Shenzhen, en la sección Radical Urbanism, siendo invitados por Alfredo Brillembourg y Hubert Klumpner.

Antes de llegar a la definición de la forma final de la instalación así como se presenta hoy —visitable en la antigua fábrica de harina Dacheng hasta el 4 de Marzo 2016— en ecosistema urbano tuvimos una efervescente fase de reuniones creativas y experimentaciones con diferentes formas de comunicación y representación de los proyectos.

Desde el principio teníamos la idea de transformar el espacio a disposición para la instalación (7,30 x 2,50 m) en un ambiente muy visual, que atrajese a los visitantes desde distancias lejanas — diseño gráfico y colores brillantes — y también, una vez dentro del propio espacio, por algunos elementos más pequeños, emblemáticos y misteriosos, visibles a medias: dispositivos para generar curiosidad.

El común denominador de todos los elementos que componen la instalación corresponde con 3+1 requisitos:

1. Ser low bulk, de poco peso y tamaño, para poder ser transportada por dos personas de España a China como equipaje facturable en cualquier compañía aérea.
2. Ser low maintenance, utilizando tecnologías simples y que no necesiten mantenimiento durante los cuatro meses de la Biennale.
3. Ser low cost, teniendo en cuenta el bajo presupuesto disponible.
4. Y además, claro, ser novedoso, divertido, sorprendente

Este cuádruple reto nos enganchó igual que otras veces en las que hemos intentado aplicarlo, como la instalación Jardín de Sueños en Bahamas o la exposición Formula X en el DAZ de Berlín.

Comenzamos a desarrollar la idea de contener artefactos en una caja que motivase los visitantes a acercarse y explorar los micromundos contenidos en ella. Cada caja debía contener los elementos necesarios para describir de manera abstracta y al mismo tiempo comprensible, cada uno de los 11 proyectos que narran la filosofía del Networked Urbanism, tema de la instalación. Hicimos entonces un trabajo de exploración de referencias de diferentes técnicas, entre ellas: el vídeo, los libros pop-up, la superposición de capas transparentes impresas, las ilusiones ópticas del efecto Moiré, figuras efímeras como resultado de sombras de diferentes objetos, etc.º Os compartimos nuestro tablero de Pinterest con una buena colección de referencias sobre el tema.

ref mosaic

Referencias encontradas en la fase de investigación. Fuente: https://it.pinterest.com/ecourb/shenzhen-installation/

Particularmente inspiradora fue una visita al Museo del Cinema de Turín dentro de la imponente Mole Antonelliana; en este hay una amplia sección totalmente dedicada a las técnicas que permitían de crear animaciones en los siglos antes el nacimiento del cine. En el fascinante mundo precinematográfico se crearon una gran cantidad de dispositivos y objetos misteriosos, capaces de maravillar también al espectador contemporáneo. Entre estos extraños objetos se encuentran cajas ópticas, linternas mágicas, phenaquistiscopios, taumatropi y muchos más. Para los que quieren explorar más el tema del precinematografía, aquí dejamos un link de Wikipedia bastante exhaustivo.

Vista interior de una caja óptica del siglo XVIII, con transición de luz de día/noche

Diorama del siglo XVIII – Museo del Cinema, Torino y diorama contemporaneo creado por Harikrishnan Panicker y Deepti Nair

Decidimos entonces crear dos tipos de cajas: un diorama y una caja que contuviese algo más que un vídeo, un holograma.

La realización de la primera tipología de caja, el diorama, consistió en la descomposición de una representación en perspectiva del proyecto en 5 o 6 dibujos impresos en acetato transparente y dispuestos en secuencia, de manera que la correcta visión de la imagen fuese posible exclusivamente desde un único punto de vista. En el fondo de la caja, una pantalla proyecta ambientaciones, colores y fondos que animan el diorama y establecen un diálogo con los elementos impresos de las distintas capas.

Diorama del proyecto Dreamhamar

El segundo tipo de caja, el que contiene el holograma, requirió una fase de experimentación y pruebas más larga. En primer lugar hay que decir que probablemente crear estos hologramas sin Internet habría sido mucho más complicado para nosotros. Pero afortunadamente vivimos en la época del conocimiento compartido, y pudimos encontrar en Youtube una serie de tutoriales que explican cómo realizar un holograma casero de manera muy sencilla, con sólo una pantalla y una pirámide de plástico transparente. A continuación os dejamos uno de los varios vídeos que podréis encontrar por la red.

Una vez aprendida la técnica (afinada y personalizada, a través de numerosos prototipos, para nuestras necesidades específicas) tuvimos que realizar los vídeos que cuentan los restantes 6 proyectos de Networked Urbanism, siguiendo el criterio de dejar el fondo negro e invertir/reflejar las imágenes para su correcta visualización.

Hologramas | work in progress

Hologramas | work in progress

Caja con el holograma del Ecobulevar

Los otros vídeos realizados para ser visualizados como hologramas están disponibles en estos links: Ecópolis Plaza, Air Tree Shanghai, Energy Carousel, Madrid Chair. ¡Construyendo una pirámide transparente, tu también puedes visualizar estos vídeos como hologramas!

Las 11 cajas fueron diseñadas ad hoc para la instalación por ecosistema urbano y posteriormente realizadas a corte láser por EXarchitects.

Para saber más sobre el resultado final, aquí dejamos el link a otro post y el teaser de Networked Urbanism. Enjoy!

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ecosistema urbano at 2015 Shenzhen — UABB bi-city biennale of urbanism and architecture

Category: ⚐ EN+architecture+ecosistema urbano+events+networkedurbanism+news+research+technologies+urban social design+urbanism+video


overall view

Between November and December 2015 we spent one week in Shenzhen on the occasion of the 2015 Bi-City Biennale of Urbanism/Architecture, being invited by curators Alfredo Brillembourg and Hubert Klumpner to be part of the Radical Urbanism section of the exhibition. The brief of this edition of the Biennale is “Re-Living the city”, a reflection about reuse and rethinking existing buildings, the reimagination of our cities, and the remaking of our daily lives by design. The main location of the event was connected to the topic of the Biennale: the former Dacheng Flour Factory has been transformed into a massive container of thoughts and innovative practices in urbanism without hiding its recent past of industrial activity and its uncertain future.

The Dacheng Flour Factory_ Image: UABB

Our installation at the UABB Biennale, called Networked Urbanismdisplays a selection of pilot projects exploring physical and immaterial urban improvement, a critical catalogue of their urban contexts, the understanding of urban complexity and the new tools developed to address it. The colourful multimedia exhibition displays 10 pilots projects, implemented during the past 10 years in different contexts around the world, but also displays 1 mockup, a real scale version of an urban furniture design.

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The Networked Urbanism Installation reflects the working method: an overall strategic vision that relies on short term punctual and powerful interventions in specific and emblematic spots (pilot projects), rather than long term and high resources urban strategies. Ecosistema Urbano’s projects empower people and engage citizens in the tangible transformation of the places where they live.

The definition and final layout of the installation was an intense process of research and real scale experimentation to find interactions between graphic design, communication, animation and optical effects. We tried to show the common philosophy behind each project in a very visual and communicative way. Each pilot project is communicated with a graphic slogan synthesizing the nature of the intervention and its message, a reference to the city where the project is implemented, and a description of the overall urban strategy.

slogan

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10 pilot projects

Moreover, a digital layer of information is added to the graphic display. 5 multimedia dioramas provide an intriguing representation of the following pilot projects: Exuma Garden of Dreams, Dreamhamar, Asunción Open Lab,  Voronezh Sea Revitalization, and Encarnación Sustainable Development Territorial Plan.

Diorama for the project Dreamhamar

The other 5 pilot projects presented in Networked Urbanism installation are described throughout short movies displayed as holograms, thanks to a DIY fascinating technique. The videos of the projects Ecobulevard, Air Tree Shanghai, Ecópolis Plaza, Energy Carousel, Escuela Febres intervention in Cuenca , explain with 3d holograms the complexity of this interventions, showing the different layers and their several possible points of view and configurations.

Hologram of Ecobulevar project

1 Mockup
Well centered on the main wall of the space lays the message “Customize public space“, surrounded by drawings of the possible configurations of Madrid Chair. In the central area of the exhibition there are 18 pieces of this flexible and multipurpose urban furniture in red and orange versions allowing visitors to interact and create their own favourite exhibition layout.

Assembly phase of Madrid Chairs

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The UABB Biennale will be open until March 3rd 2016, if you are planning to visit Shenzhen, don’t miss it!

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What does it all mean for an architect? Geography, “soil and blood”, I mean. Is it destiny?

Category: ⚐ EN+architecture

Luigi Ghirri, Marina di Ravenna

Today we publish an article written by Nathan Romero Muelas, a Spanish architect living in Denmark for more than ten years now. The article has been published in the danish blog arkfo.dk

Immigration is setting Europe in a defensive mode, a state of mind that politically ranges from reluctance to paying lip service to universal solidarity. At the same time, we architects, and not only in Denmark, are busy again with questions of national identity and cultural legacy. Within academia and other architecture institutions, eyes are turning inwards to examine, for instance, all things “Nordic”. There are seminars galore on Nordic urbanism, or for example, on the possibility of a Nordic high-rise.

I’m interested in the timing of these two phenomena. Introspection is important. I guess societies, like human beings, need periodic diving into the oracular “know thyself “ of the Greeks. It usually happens when they feel questioned, or under pressure. I would like to know if this insistence in what we are, (Nordic or whatever), shares this menaced condition.

There have never been so many foreign architects and architecture students, working and living in Denmark. However, how different the situation, the mood, from not yet fifteen years ago, when I first arrived in Denmark. The Europan competition, the Erasmus program: Europe seemed open and enjoying, if I’m not mistaken, a moment of expansive optimism. Today foreigners populate our studios, working as interns mostly, in economic conditions at times worse than their Danish peers. They resemble more the southern immigration of the sixties, a working force that for some threatens the professional establishment, the architectonic version of the very publicised Polish travelling construction workers in Denmark.

COULD THERE BE, I WONDER, A RELATION BETWEEN THIS IMMIGRATION WAVE, MOTIVATED NOT ONLY BY CURIOSITY, BUT ALSO NECESSITY, AND THE URGE OF PROFILING AND BRANDING A NATIONAL OR REGIONAL ARCHITECTURE? BRANDING IN THE COMMERCIAL SENSE (ARCHITECTURE POLITICS) BUT ALSO IN THE ORIGINAL LIVESTOCK SENSE: TO TELL THIS CATTLE FROM THAT CATTLE.

But home is best 

In a refreshing essay, (“Drømmen om de smaa samfund”, 1977), Steen Eiler Rasmussen lucidly demolishes the myth of a well functioning small society. He remembers a priest during the German occupation of Denmark. After having spent some time at the Frøslev concentration camp, this priest praised emphatically the experience in the camp. It was a humane experience he wouldn’t have liked to miss: under a common pressure, facing a common enemy, solidarity, mutual care and….a certain cosiness (“hygge”), flourished!

The Biannual competition Europan, with all its limitations and flaws, is a visionary idea, the perfect antidote to nationalist architecture. In the next edition, Denmark has decided not to participate. I imagine there are well founded motives, and surely unrelated to my reasoning here. But let me propose a perverse motive, for argument´s sake: the outcome of Europan is uncontrollable, in principle everybody can win. There follows a compromise, (sadly a weak compromise, in some countries), to build the winning project. Now, let’s say a Chinese architect wins. Frankly folks, what can a Chinese architect possibly know about the arcane secrets of Nordic light? And more importantly: where do we fit this Chinese in the promotion politics of Danish architecture?

 

Photo: Kim Høltermand

Soil, blood and onions

Ever since I arrived to Denmark I have had the unsettling words of the Spanish architect Jose Antonio Coderch at the back of my mind. In 1960 he wrote an essay-manifesto, which was interesting, coming from the most individualist of architects. Its title was It is not geniuses we need know. In it, he wrote: “Let architects work with a rope tied to one leg, to stop them from staying too far from the earth where they have their roots, and the people they know best”. It made then a lot of sense: facing the all pervasive international style, it was a call for attention to the remainder of local building traditions but also hints at the idea that the artist, the architect, should only talk about what he knows well. And that meant then his origin. Despite of his connections to the Smithson’s, his belonging to Team 10 and winning the Milan Triennale golden medal in 1951, Coderch never really left Barcelona. But today I would argue that the exception is an architect that spends his entire life in the place he was born.

I go back to Altea, the Mediterranean town where I was born. I haven’t been here for a long time.  Instantly upon arrival, I realize I’m home. That is, my body does. It remembers. The pine trees, the agave, the hills. And, yes, the light, different from any other, and very dear to me. But then I realize that I have spent more time in Copenhagen or Madrid than in Altea, which I left at thirteen. What does it all mean for an architect?  Geography, “soil and blood”, I mean. Is it destiny?

I start thinking about notions like Mediterranean, and then Nordic. These are rich, multilayered concepts, and deserving all the scholarly attention they can get…provided we understand that we will not find a single valuable work of architecture that is pure, that isn’t changed, enlivened by the crossing of frontiers. Jacobsen, Aalto, Asplund, Utzon, carry their Mediterranean experience all through their work.  Sota, Fisac, Moneo, (who worked for Utzon), were in turn transformed by the Nordic lesson.

I GUESS I’M HINTING AT THE THOUGHT, FRIGHTENING POSSIBILITY, THAT IN AN INCREASING REFINING AND DEFINING OF A NATIONAL OR REGIONAL ARCHITECTURE, NOT JUST ACADEMICALLY BUT IN ORDER TO SELL IT, EXPORT IT, PROMOTE IT, BE IT BALKAN, TEUTONIC, MEDITERRANEAN, SOUTHERN OR NORDIC, WE MIGHT END UP WITH SOMETHING RATHER STERILE, OR ILL VENTILATED: IN SEARCH OF THE QUINTESSENTIAL IDENTITY, WE MIGHT FIND…REDNECK ARCHITECTURE.

Because despite my beloved Coderch and today’s pushers of national architectures, architects do choose now the soil they live and work on. Unlike onions.