Archigram’s Plug-in City, Constant Nieuwenhuys’ New Babylon and Yona Friedman’s La Ville spatiale rank among the incunabula of the 1960s. Combining visionary architecture, pop culture, art, and situationist rebellion, they became known far beyond the narrow confines of urban planning. Till now, however, there has been no exhibition dealing explicitly with megastructuralists’ vision. continue reading