You are not stuck in traffic. You are traffic. Get a bike. Break free!
Under that motto, originally created for a commercial campaign and adbusted by Lisbon Cycle Chic, was presented Get a Bike, an international competition organized by Future Built in Oslo aiming to collect ideas about how to develop a growing cycling culture in and nearby the capital city of Norway. How to make the Oslo Region one of the best cycling regions in Europe?
Today we are sharing with you some pictures of the impressive exhibition Importing Architecture which is on right now at the Nasjonalmuseet (National Museum for Art and Architecture) in Oslo.
We had the pleasure to be included in the selection and it was a great opportunity to attend the opening last November and get a chance to know more about the different projects which are under construction or have been just finished as well as the international offices who are behind them.
The exhibition raises the question of Norwegian identity in architecture and how ‘imported architects’ respond to it:
Are foreign architects reinforcing the trend toward a type of globalization that is dissolving national and cultural differences? Or are they even more concerned with formulating a Nordic or Norwegian identity than their Norwegian counterparts? Is it possible for an architect to create exceptional architecture in Norway without first-hand experience of Norwegian society, building traditions, climate or the natural environment? Or on the contrary, do foreign architects bring new ideas and ways of thinking that enrich the quality of Norwegian architecture?
Our installation is located by the ramp at the entrance of the exhibition. We tried to take advantage of the windows to display images of the Dreamhamarproject, along with four screens showing videos from the process. The physical-digital scale model of Stortorget (Main Square) was also brought from Hamar and installed on top of a vinyl that covers the floor resembling the pattern painted by Boamistura on the asphalt of the real square.
If you are in Oslo sometime between now and April, don’t miss it!
Today, Thursday Nov. 22nd is the official opening of the exhibition Importing Architecture at the NasjonalMuseet of Art, Architecture and Design in Oslo. The exhibition will be open to the public from tomorrow until April 2013.
Ecosistema Urbano team is pleased to be part of this exhibition with Dreamhamar project, a collective dream to redesign Hamar’s main public space, Stortorget. Other architecture offices included in the selection are: Steven Holl, MVDRV, Peter Zumthor, Renzo Piano, Vandkunsten, JDS, etc…
Here is the introduction by the curator of the exhibition, Eva Elisabeth Madshus:
An increasing number of foreign architects are winning competitions or receiving commissions in Norway. The exhibition takes up this relatively new and interesting development, which is primarily due to the introduction of the EU directive on competitions and more building activity in Norway than the rest of Europe.
This exhibition presents a selection of foreign architectural firms with projects in Norway. It also provides the basis for examining what this increasing internationalization means for Norwegian architecture’s identity and quality.
– Are foreign architects reinforcing the trend toward a type of globalization that is dissolving national and cultural differences? Or are they even more concerned with formulating a Nordic or Norwegian identity than their Norwegian counterparts?
– Is it possible for an architect to create exceptional architecture in Norway without firsthand experience of Norwegian society, building traditions, climate or the natural environment? Or on the contrary, do foreign architects bring new ideas and ways of thinking that enrich the quality of Norwegian architecture?
– Do the EU’s competition regulations, with their criteria for participation and ranking, ensure that the best architectural projects win? Or are foreign architects displacing their Norwegian counterparts in today’s highly competitive building market?
Debate about foreign influences on architecture is not entirely new. Craftsmen from the continent were involved in building Norwegian mediaeval churches, and after the dissolution of the union in 1814 the country’s new institutions were by and large designed by Danish and German architects. But since the beginning of the 1900s, once architecture was an established course of study at NTH (Norwegian Institute of Technology; today the Norwegian University of Science and Technology in Trondheim), Norwegian architects have been responsible for the vast majority of building works in the country. It was not until the EU competition regulations were adopted in 1994 that foreign architects began to make inroads in the Norwegian market, and the trend has been sustained by the country’s strong oil-driven economy and numerous public sector building projects. In 2012 the results of these factors are striking: a dozen public building projects designed by foreign architects are either in preparation, under construction, or completed.
The architects included in this exhibition are consummate professionals. Their projects reflect exceptional quality at every stage – planning, design, choice of materials, execution – and many of them will become important sources of inspiration. Norwegian architecture is well served by intensified international competition. Every good architect can acquire competence about the particular context that a building project is always a part of, regardless of national origin. Thus, increasing globalization need not lead to uniformity in architecture.
Do you have a dream about planting your own mango tree? The statistic probability that you who are reading this live in the city is over fifty percent, and the number is increasing. This means that fewer and fewer of us have the opportunity to grow our own fruit and vegetables, but are entirely dependent on the increasingly industrialized and transport-based large-scale agriculture.
Urban food production is a growing trend in many cities, and productive green spaces emerge on rooftops, in ditches, between buildings and on the left-over spaces without a specific use. The motives for cultivating food are diverse, some see it as part of a strategy to increase awareness and knowledge about the food we eat (food safety), others will create a focus on local food as one of the solutions to environmental challenges, while others grow their own garden just because it’s pleasure and to save money. Jennifer Cockrall-King claims in the book Food and the City that we are facing a food revolution as we have passed both the oil peak and peak water, and this begins to affect a growing global population:
Food and the City examines alternative food systems in cities around the globe that are shortening their food chains, growing food within their city limits, and taking their “food security” into their own hands.
In Oslo, Norway, urban farming occurs in a smaller scale, including the Geitmyra allotment garden where you can be assigned a soil patch for cultivation, and as guerrilla gardens, a more freely and actionist activity where the city’s leftover spaces are used for food production without formal permission of the landowners. The latest addition to this green trend where you can grow your own vegetables in Oslo is Herligheten (The Glory), an ecological initiative and project about urban food production initiated in April 2012 and developed during April and May 2012.
As part of a long-term development and urbanization of the waterfront in Oslo, the developer Bjørvika Utvikling has carried out several temporary projects from stunts to pavilions which have been standing there for a few years. The events and installations are bringing human activity into an area that for many years has been characterized by construction activities, but Herligheten differs from previous projects by a greater degree of activation of users and visitors, who are now shaping the new area of the city with green and consumable pleasures.
Herligheten is located at Loallmenningen in Bjørvika, a rocky “island” in the middle of a rough building site surrounded by roads, railway lines and the ventilation towers for the submerged tunnel underneath. It has found its home in an apparently gray and idle landscape between the Medieval park and the Oslo fjord, which has for many years been seen as a lifeless place in wait for better conditions. But during a few hectic weeks during spring the area has experienced a small, green revolution worked out by diligent volunteers who have transformed it into an oasis consisting of consumable plants, in what was previously a closed area for city residents.
As of today Herligheten consists of three main parts: Herligheten Allotment Garden with 100 allotments, a field measuring 250 m2 where several types of ancient grain such as spelt, emmer, einkorn and bere barley will grow, and an activity program consisting of a number of events and seminars for learning and exchanging ideas. As many as 3790 people applied in April to take part in Herligheten through the disposal of one of the 100 allotments, so it is clear that the people in Oslo have ambition to develop their green thumbs. We wish them good luck with the green revolution!