I would like to share with you my personal experience in a ‘Design-Analyse-Build’ way of design. Some of you might think, that it sounds not so innovative and most of the architects work in that way, that’s probably could be the truth, BUT there are some specific tips that make this experience unique.
In this post I will refer to the workshop that I shared in IED Torino Master SUS with the main coordinators ARCò and MCArchitects studio, about designing an off-grid sustainable school for Palestine, Gaza_Rafah.
Firstly, I want to meet you with a work plan, that we were followed:
1. Climate analysis of an area
2. Analysis of the state conditions and local features of the area
3. Understanding the type of users and their needs
4. Environmental strategies selection
5. Concept creation
6. Design process
7. Shadow, daylight and glare analysis using Ecotect
8. Model 1:1 scale prototype
The first step was to analyse the climate of the area to understand the possible environmental strategies we can use and make a list of parameters that is better to avoid or conversely exploit during design process. The most tricky stuff was to find the weather data for Palestine, because nowadays all the information about it is classified, due to the war. Finally we had to use weather data of Beer Sheeva that located nearby in territory of Egypt.
The result of a Climate analysis using
During most of the year temperature is above the comfort zone.. The winter is short, but is noticed with a humid winds. The summer period lasts almost 7 months and accompanied with high temperature of the air and wind.The difference between the highest and lowest temperature during the day is about 10°.With this climate is important to orient building to protect it from the direct sun during summer and to capture it during winter. Also the building should be covered from strong winter wind,but use the summer ones.
The second step was to find out the location of Rafah city and underline the main function of that place. One of the most important thing was to see the actual state of the construction site, that was almost impossible due to the hostilities.
Site location. Palestine. GazaStrip, Rafah
Rafah is situated in the southern part of the GazaStrip in Palestine, at the border with Egypt. According to the peace treaty between Egypt and Israel at Camp in 1982, Rafah was divided into two parts. One part was assigned to Egypt, the other part to the Gaza Strip. Nowadays Rafah is the only point of importance in the country.
The third step was to ‘meet’ the users. In this case we had to try being in their shoes, imagining lifestyle of a kid who was born and had been living all of his life in a war situation, always surrounded with fences and swaying wire in a lack of green safety spaces and entertainments.
The site is located in the central empty area of Rafah. It is surrounded with residential houses and a big warehouse.In the real-time the site is full of excavated earth, because of the erasion of the previous construction, after the bombing.
From 1948 the population of Palestine live in the war situation.. So the country has problems in many different fields, one of it belongs to children and it is lack of schools and areas for children activities
The fourth step was to choose the environmental strategies to follow to reach the off-grid building. This phase is strongly related to the climate analysis. In this case, is very helpful to see the vernacular architecture of a place to choose the right strategies.
Ekaterina Kozhevnikova and Sara Cicinelli|">Image is made by Ekaterina Kozhevnikova and Sara Cicinelli|
workshop ‘Una scuola sostenibile’ in IED Torino
The fifth step is a sort of summary of all the strategies we chose for the building – concept creation. Concept is the phase right before the design process, so it was important to choose the right orientation, shape, functional zones etc. We were also advice to make a simple symbol or logo that would describe our project in few seconds, that finally could become sort of a brend.
‘The Earth is our school, so let’s make the school with earth!’
Image is made by Ekaterina Kozhevnikova and Sara Cicinelli | workshop ‘Una scuola sostenibile’ in IED Torino
One of the most important steps was analysis of the building with Ecotect, Autodesk 2011. For this project we had to make several calculations, such as: solar, shadow, daylight and glare analysis.
Usually shadow analysis is calculated for the longest and shortest day in the year, such as 21st of December and 21st of June. In this case we also did computings for 21st of march to get proper results and see if the overhangs are useful during al the year.
Solar analysis shows us the amount of sun hours that building surfaces receive during the day. It gives us the idea of facade protection from the direct sun. It also could be very useful to see the best position for the PV panels to let them produce the maximum energy.
Daylight factor analysis is the ratio of internal light level to external light level.A low asks for classrooms a 5% daylight factor. For art, craft, technological laboratories thatratio is even higher. Daylight can be used to offset the need for artificial lighting and hence reduce dependency and consumption on electricity and the greenhouse gas emitted. Effective daylight distribution must be achieved in a manner that brings visual satisfaction to the occupants.
Glare analysis is a calculation about number of direct sun or reflection coming from a very bright source outside the field of view. The reflection may cause discomfort as well as the additional annoyance of veiling or masking out the information which is being sought within that view.The result of analysis using
The final step was a model in 1:1 scale that we built-in one of the parks in Turin city. It was a great chance to ‘feel’ the construction and understand the weak and strong points of it. In my personal opinion, it was one the best parts of design, when you make the proof to your ideas and drawings, so you can be sure that the techniques you had chosen is stable and can answer to your expectations.
The people behind More Than Green have organized a great summer course on July 15-26, 2013 in the mediterranean city of Alicante (Spain), where we will also be taking part together with PLAYstudio, Transsolar and Urban Think Tank.
Sustainability is not just an environmental issue but, and above all, a social, cultural and economic one. This course about URBAN DESIGN and SUSTAINABLE ARCHITECTURE proposes a complex incursion within the subject of sustainability understood not only as a problem but as an opportunity to meet new approaches to the city in a creative, innovative, playful and unprejudiced way.
Contents + Objectives
Improve your design skills: based on an open criticism of the “only green” approach for the construction of our future sustainable cities, this course offers a much wider, complex and playful perspective at the same time. Students will combine the design of a team project –about an specific case‐ with the supervision of guest experts and their master classes.
Build a knowledge frame –examples of good practices told by guest experts‐ where students take consciousness of the importance of broadening their understanding of sustainability according to the new world policies.
Create a typical multicultural situation of an international course where students coming from different places exchange their various backgrounds and modes of undertaking the sustainable urban project. The diversity of the faculties contributes to enrich this situation.
Methodology + Course Structure
Master classes, teamwork and project reviews within the context of four different ways of understanding sustainability: ENVIRONMENTALLY, SOCIALLY, ECONOMICALLY and CULTURALLY.
DIRECTOR: José Luis Oliver Ramírez (University of Alicante) + TRANSSOLAR: Matthias Schuler (Harvard GSD) + URBAN-THINK TANK: Alfredo Brillembourg (ETH Zurich) + ECOSISTEMA URBANO: Belinda Tato y Jose Luis Vallejo (Harvard GSD) + PLAYstudio: Iván Capdevila y Vicente Iborra (University of Alicante)
Alicante + Free time
It’s summer, you’re by the coast… who would dare to keep you away from having fun? Within the course structure, it is programmed a considerable amount of free time so the students can visit other cities or some interesting spots on the surroundings, enjoy the sun and the beach, or take part in different summer activities organized by the University of Alicante.
The University of Alicante offers you a wide range of facilities and affordable accommodation in several lovely locations from the historic city centre to the university campus surroundings.
You can download the brochure here: MTG International Summer Course – PDF
For a more information on fees, acommodation, organization, etc. check the official website: summercourse.morethangreen.es
Best Practice Database
Today we are glad to announce that our project Plaza Ecópolis has been selected by UN-HABITAT for the Dubai International Award for Best Practices to Improve the Living Environment.
The project, together with the Ecobulevar de Vallecas (which was awarded back in 2008) is now part of the Best Practices Database “as a way of promoting global exchange, learning and replication”. Here are the links:
Plaza Ecópolis – Best practice 2012
Ecobulevar de Vallecas – Good Practice 2008
Eco Boulevard – Vallecas
The United Nations Human Settlements Programme, UN-HABITAT, is the United Nations agency for human settlements. It is mandated by the UN General Assembly to promote socially and environmentally sustainable towns and cities with the goal of providing adequate shelter for all.
UN-HABITAT web page
The Best Practices and Local Leadership Programme
Related posts about Plaza Ecópolis
Related posts about Ecobulevar de Vallecas
Next Friday we will be in Reggio Emilia at the presentation of the Reggio Children educational project “A school as a learning community”, together with Graziano Delrio, Luca Molinari, Carla Rinaldi and Maddalena Tedeschi. We will talk about our proposal for the Reggio Children experimental learning centre, and after that an exhibition will be opened, showing the projects submitted to the competition.
Progettare Spazi per l’Apprendimento
Friday, February 15 2013 at 16.30
Centro Internazionale Loris Malaguzzi – Sala Kuwait
Today we are sharing with you some pictures of the impressive exhibition Importing Architecture which is on right now at the Nasjonalmuseet (National Museum for Art and Architecture) in Oslo.
We had the pleasure to be included in the selection and it was a great opportunity to attend the opening last November and get a chance to know more about the different projects which are under construction or have been just finished as well as the international offices who are behind them.
The exhibition raises the question of Norwegian identity in architecture and how ‘imported architects’ respond to it:
Are foreign architects reinforcing the trend toward a type of globalization that is dissolving national and cultural differences? Or are they even more concerned with formulating a Nordic or Norwegian identity than their Norwegian counterparts? Is it possible for an architect to create exceptional architecture in Norway without first-hand experience of Norwegian society, building traditions, climate or the natural environment? Or on the contrary, do foreign architects bring new ideas and ways of thinking that enrich the quality of Norwegian architecture?
Our installation is located by the ramp at the entrance of the exhibition. We tried to take advantage of the windows to display images of the Dreamhamar project, along with four screens showing videos from the process. The physical-digital scale model of Stortorget (Main Square) was also brought from Hamar and installed on top of a vinyl that covers the floor resembling the pattern painted by Boamistura on the asphalt of the real square.
If you are in Oslo sometime between now and April, don’t miss it!
Photographers: Andreas Harvik and Børre Høstland.
Related post: Importing architecture | Exhibition in Oslo
Today, Thursday Nov. 22nd is the official opening of the exhibition Importing Architecture at the NasjonalMuseet of Art, Architecture and Design in Oslo. The exhibition will be open to the public from tomorrow until April 2013.
Ecosistema Urbano team is pleased to be part of this exhibition with Dreamhamar project, a collective dream to redesign Hamar’s main public space, Stortorget. Other architecture offices included in the selection are: Steven Holl, MVDRV, Peter Zumthor, Renzo Piano, Vandkunsten, JDS, etc…
Here is the introduction by the curator of the exhibition, Eva Elisabeth Madshus:
An increasing number of foreign architects are winning competitions or receiving commissions in Norway. The exhibition takes up this relatively new and interesting development, which is primarily due to the introduction of the EU directive on competitions and more building activity in Norway than the rest of Europe.
This exhibition presents a selection of foreign architectural firms with projects in Norway. It also provides the basis for examining what this increasing internationalization means for Norwegian architecture’s identity and quality.
– Are foreign architects reinforcing the trend toward a type of globalization that is dissolving national and cultural differences? Or are they even more concerned with formulating a Nordic or Norwegian identity than their Norwegian counterparts?
– Is it possible for an architect to create exceptional architecture in Norway without firsthand experience of Norwegian society, building traditions, climate or the natural environment? Or on the contrary, do foreign architects bring new ideas and ways of thinking that enrich the quality of Norwegian architecture?
– Do the EU’s competition regulations, with their criteria for participation and ranking, ensure that the best architectural projects win? Or are foreign architects displacing their Norwegian counterparts in today’s highly competitive building market?
Debate about foreign influences on architecture is not entirely new. Craftsmen from the continent were involved in building Norwegian mediaeval churches, and after the dissolution of the union in 1814 the country’s new institutions were by and large designed by Danish and German architects. But since the beginning of the 1900s, once architecture was an established course of study at NTH (Norwegian Institute of Technology; today the Norwegian University of Science and Technology in Trondheim), Norwegian architects have been responsible for the vast majority of building works in the country. It was not until the EU competition regulations were adopted in 1994 that foreign architects began to make inroads in the Norwegian market, and the trend has been sustained by the country’s strong oil-driven economy and numerous public sector building projects. In 2012 the results of these factors are striking: a dozen public building projects designed by foreign architects are either in preparation, under construction, or completed.
The architects included in this exhibition are consummate professionals. Their projects reflect exceptional quality at every stage – planning, design, choice of materials, execution – and many of them will become important sources of inspiration. Norwegian architecture is well served by intensified international competition. Every good architect can acquire competence about the particular context that a building project is always a part of, regardless of national origin. Thus, increasing globalization need not lead to uniformity in architecture.
More info about the exhibition: Oslo Nasjonalmuseet
Photos and details of the projects: Nasjonalmuseet at MyNewsDesk
On November 15th-17th leading architects, artists, scholars, and industry from all over the Globe will meet up in Aarhus, Denmark to shape the media architecture of the future, and to discuss how media architecture is about to change cities.
What happens when heat sensitive concrete ‘freezes’ the shadows of passers-by, or when a façade turns into a screen by means of thousands of tiny LED lights? What happens to architecture, people, and cities, when buildings turn into a type of digital media and allows citizens to communicate with each other in completely new ways?
Questions like these are increasingly relevant, as media architecture gains ground in cities all over the world. And they will be top of the agenda when media architecture experts meet up in Aarhus in November. Among the speakers will be media artists Ben Rubin, architect and designer Jason Bruges, Bjarke Ingels Group, Gehl Architects, professor of architecture Antonio Saggio, professor of media archaeology Erkki Huhtamo – and many more.
The biennale also features an exhibition, awards, industry sessions, workshops, an iPad compendium, and a gala dinner.
You can still register until 8 November 2012. Just a couple of days left!
Official website: mab12.mediaarchitecture.org
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