‘Looking for Love Again’ is a community development project implemented by the Taiwanese American artist Candy Chang who was invited on 2011 by the Alaska Design Forum to create a public art project on the tallest building in Fairbanks city. The Polaris Building, a landmark of downtown Fairbanks, was during the past an apartment complex, then a hotel, and now it has been abandoned for more than a decade. continue reading
June 9, 2014
June 6, 2014
Next June 12 Belinda Tato will be lecturing in Copenhagen at the 10th International ‘World in Denmark’ Conference, which is hosted by the University of Copenhagen and carries the title ‘Nordic Encounters Travelling Ideas of Open Space Design and Planning’.
The lecture, entitled ‘From ego-design, to eco-design towards network design’ fits among the proposed topics of liveability, welfare and democracy. Belinda will explain the office’s approach and experiences based on the projects we have developed in the Scandinavian countries and many other places across the globe.
Here is a brief description of the topic of the conference:
Landscape architects and urban designers from Denmark and the other Nordic countries have increasingly become exporters of design solutions to places like Beijing, New York and Christchurch, while Copenhagen repeatedly receives awards for its liveability. Nordic planning is often promoted as particularly human, ecologically sustainable and democratic.
However, looking beyond the immediate branding effect, what themes and values, methods and challenges are current in Nordic urban space design and planning in these years? Where are the gaps between imaginary and reality? How does the nordicness relate to what is going on in other regions and cultures and what does it potentially have to offer? Which movements, paradoxes, conflicts and challenges exist? Where are the blind alleys? And how do these current trends reflect traditions of design and placemaking?
The issue goes beyond Denmark and the Nordic countries. It concerns what it means to intervene in cities and landscapes in a global era. What happens when western designers work in places whose local languages are new to them? How do general ideas about improving cities migrate and mutate, synergize and conflict in the encounter with specific contexts? What are the potentials and losses of producing traditions – such as the Danish or Nordic – in open space design and planning?
May 21, 2014
Ecosistema Urbano was recently selected as one of the five finalists in a competition of ideas for the waterfront (Bord de Mer) of Libreville, capital city of Gabon. We were selected by the committee of the Agence Nationale de Grand Travaux du Gabon among many other proposals. In their own words, the proposal “has strong linkages to existing urban systems, improves coastline’s connections and celebrates Libreville culture and history.” Here is a brief descripton of the project:
The main goal of our proposal is to reunite Libreville with the seashore, and extend the life of the city to the waterfront in some specific points. This would be achieved through operations of urban regeneration, adjusted to the existing and to the specific cultural, sociological and economical context. The proposal concentrates visual impact, identity and activity in five nodes, instead of spreading them too thin along the promenade.
Those five pier-like structures (jetées) are a great way of getting closer to the water, of having a unique view of the city and at the same time of providing space for programs that could work as catalysers of the urban life. They act as unique landmarks, breaking the regularity of the very long promenade and facilitating the orientation of citizens. These points of “urban acupuncture” would drag attention and pull the urban life of Libreville to the seashore, providing a new space for citizens to interact.
The locations and uses of the piers are defined in relation to the city: to its flows, to the activity of the closest neighbourhoods and to the most relevant uses, buildings or public spaces nearby. Following that close relation with the surroundings, each pier has a singular character defined by the size, the shape, the vegetation, the dominant colors and other design factors, but also by the specific set of activities that can be performed in them. This way, we have the pier of Nature, Education, Culture and Music, Local Identity and Water.
On the other hand, the linear promenade itself changes the configuration of its section depending, again, on the surroundings. Some key elements are defined in that section: the waterfront boulevard for (unavoidable) motorized traffic, a series of landscape markers (associated with energy production and visibilization), a coastal bike lane, a waterfront promenade, an urban appropriable fringe… This elements are combined, stretched or shrinked, generating diverse profiles and multiple areas of interest.
Thus, while the promenade is kept simple, regular and clean, these structures act as landmarks, dividing the seafront in more aprehensible, walkable sections, and marking the coast like ‘signal fires’ or lighthouses: they provide visual clues to help the passer-by understand his exact location at a glance.
In addition, based on the rapidly rising mobile market penetration in Gabon, and as a bet on the potential of hyperlocalized digital networks for urban life, the proposal includes a digital application that would work as a geolocated and participatory cultural agenda for the waterfront, showcasing the activities along the line, attracting citizens and visitors, allowing them to search and follow events, and acting as a geographic map or guide.
This proposal was developed in collaboration with the landscape architecture office Uberland.
March 20, 2014
Remember the Reggio Children experimental educational center we were invited to design back in 2012? We haven’t published anything about it in a while, but we can assure you that behind the scenes the wheels are turning very fast, and the construction project is almost being finished at this very moment.
As a great excuse to break this silence —we’ll be showing more about it soon—, today we want to share with you the result of a brief collaboration with architect and architectural illustrator Carlos Mazón (@imcarlosmazon), who created this inspiring image for the project: