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Open Source Urbanism | Open Source City

Category: open culture+urbanism+⚐ EN

Image by Joshua Gajownik modified by Francesco Cingolani.

Today I want to share an article that was previously published in Studio Magazine. On this occasion, I would like to thank their coordination team for inviting me to join their first release.

Summary /Overview

 
Traditional media don’t broadcast what the citizens are debating or organizing on a daily basis. Nevertheless, thanks to Social Networks, people can receive information and interact in real time with others, taking part in debates and social movements; and the 15th of May in Spain is an example of this.

This new information ecosystem reduces the influence of the mass media and slowly forces local authorities to relate to citizens in a more direct and horizontal way.

This is a great opportunity to generate a new “social control” model, pushing local authorities to take public opinion into account.

The digital media offers a broad environment for communication so that the organisation of any given action is greatly improved; everything becomes decentralized while simultaneously connected and synchronized.

On the urban scale, we speak of the “Sentient City”, a model based on a technological/social ecosystem, where knowledge, collective actions, and interactions between individuals and groups are encouraged, taking advantage of the new possibilities offered by hybridizing physical and digital layers.

In reversing the supremacy of centralisation over individual actions, citizens can become aware of their power and organize themselves on the web.
We have the necessary technology, knowledge and dynamics to put in place more open processes of urban administration and management. Citizens have already started to move; and although public administration could take advantage of such independent and autonomous processes to deal with complex situations, it appears that a clear political will is still lacking.

The fragmented city

 
Today, the dimensions of time and space, which were historically strongly linked in a space-time continuum, are increasingly growing apart and becoming independent, in a fragmented spatial perception. Nowadays a large number of people are moving from one point to another of the city to reach their workplace, and go back home. The distance between these two points (spatial dimension) and what happens between them does not affect or interest these people in any way. Indeed, the only thing people are concerned with is the duration of the trip (time dimension).
The city is no longer a continuous place, but a structure of nodes connected in a network (network city). These nodes become increasingly more defined, organised and efficient and, the journeys between them shorter and faster thanks to technical progress. The spaces of a city that have no particular characteristics and a unique function, that is to say everything that is not a node, loose significance, including public spaces.

In such city – the “fragmented city” – we use low cost technologies (internet, telephone and transport) to move, to manage our social relationships, and to communicate with people with whom we don’t necesarilly share a common physical space like a neighbourhood.

Very often the complexity of one point exclusively consists in giving access to other points, hence the importance that movement has acquired today. Instead of living in a continuous space, we continuously move between discontinuous spaces (points or nodes).

This networked structure, unlike a continuous structure, reduces diversity and complexity. The less diversity and complexity, the greater the need to move. Every point has its function and identity. Everything seems more organised and easier to find. However, to find what we are looking for, we are compelled to move constantly to other nodes.

The majority of these journeys are done by means of transport, at a speed that does not allow any relationship with the surroundings. There is a starting point and a finishing point, with little opportunity for a surprise or a change. All this implies an impoverishment of the intermediate spaces, spaces that link different points: places are consequently public spaces.

In order to transform these kinds of cities, it is essential to intervene in everyday aspects of life which might appear to have no relationship with the design of public spaces in urban areas.

Our lifestyles are two dimensional: in situ and virtual. Now we are able to intervene in the new dimension, what we commonly call “virtual” or “digital”, . As the sociologist Manuel Castells says “Everything we do, from when the day begins until it is over, we do it with internet […] the connexion between in-situ (not real because reality is virtual and in situ at the same time) and virtual is established by us. There are not two different societies, there are two kinds of social activities and relations within ourselves. We are the ones that have to search the best way to arrange and adapt them.

fragmented cityImage by Francesco Cingolani | francescocingolani.info

Public Space, Sentient Space

 
According to Daniel Innerarty, in the city the homogeneous and non changing area is nothing more than an extreme case within a global area of connected local multiplicities. Instead of neighbourhoods, local networks are developed, and public debate takes place in a virtual area. In this scenario, streets and squares have ceased to be the main meeting areas.

Internet seems to offer an alternative “space” for social relationships as compared to “traditional” spaces. This can be seen as a problem leading to empty public spaces; or on the contrary, it can be considered an extraordinary opportunity to strengthen social relationships by creating the necessary budgets to improve the vitality of public spaces. Today the Internet is the “place” where community models of management are being experimented.

I believe it is important to reconsider the city as something built by everyone, and to see public areas as the ground where this process can take place. Today we have tools available that are able to act as a catalyst for participatory dynamics that were previously impossible to coordinate. There are increasing examples of processes of creation by citizens, linked to the use of new technologies. It is undeniable that Internet is a key factor contributing to changing the society. That being said I believe it is obvious that we cannot think of public space without taking into consideration the potentialities of these technologies, how they are used and how they can be an added value.

We should begin to talk about a new type of public space, a hybrid space, where technology could become a catalyst for hybridising dynamics between activities that are not traditionally connected or that are located in other (private) spaces.

Juan Freire explains this clearly: “The differentiation between spaces and physical and virtual communities is outdated. We are witnessing a hybridising process which modifies our individual identities, communitarian and territorial. Internet has contributed to the development of global networks, but paradoxically it has had a less noticeable influence in local spheres. However, digital technologies modify radically the way in which we are organised and we relate to our environment so we are already living in territories where the digital realm is as important as the physical. The hyper-local networks and hybrid public spaces are the new realities which we confront with the advent of Internet and digital culture in our local environment”.

According to Juan Freire the crisis of public (physical) spaces in urban areas is also due to the lack of (open) design, giving the citizens, once more, the opportunity to take a real interest in its use. It has also brought into debate concepts such as “hybrid spaces”, to refer to the opportunities that the hybridising of the physical with the digital sphere offers in public spaces.
We can grant the assumption of the existence of a digital skin that characterizes public spaces and devote ourselves to defining its qualities and characteristics. Instead of “hybrid” I like to use the concept of “sensitive”. “Sensitive space” refers to the “living” character of these spaces; to their capacity to promote a two-way relationship with its users, to catalyse hyper-local social networks and to visualise information related to the environment in a transparent manner.

prosumerImage by Francesco Cingolani | francescocingolani.info

Social networks and Self-organization

 
If we analyze the increase in the use of social networks on the Internet we realize that we are witnessing a process of change that will lead to the disappearance of the current dissociation between digital and in-situ identity.
Most people can continue living in complete normality without having to take care of their digital (identity) presence in social networks. Nevertheless, it is highly probable that in a few years time the concept of identity will inevitably integrate both the digital and the physical dimension. Consequently, each person will be forced to take as much care of their digital identity as of their physical identity, something that many people have been doing for some time already.

We must take several specific factors of this new kind of identity into consideration such as its peculiar time dimension. The building process of the digital identity over time leaves a footprint on the web, a visible footprint that is accessible to any user. The end result is an identity that is perceived as a sum of the past (footprint) and present identity.

Generally we control our public image by showing at each time only what we wish. However, when our identity leaves a footprint on the internet, we no longer have exclusive control over it but it is shared amongst friends and acquaintances (namely the peer group).

Each person that knows me can publish information (photographs, texts, etc…) that are directly or indirectly related to my identity without the need of my approval. This is what happens in most of the social networks.

Certainly, my digital identity will be entirely integrated in the learning process and will be increasingly associated to a physical space; that is, the idea we had about a parallel digital identity that is detached from reality does not, I think, interest anyone: in fact we do not even have time to create parallel identities.

Our identity is not only formed by way of the information that my friends and I have published, but also through the information that my devices publish. An example could be the use of services like Foursquare that allows me to upload posts in my social networks about my location at any time, taking advantage of the internet connection of our mobile phones.

To explain this phenomenon Tim Berners-Lee mentions Giant Global Graph, this means, the future Semantic Web with which we shall go from gathering the relationship between people to focus on the relationship between people and their interests (documents). Thus, if the “Internet” has allowed us to connect computers and the “Web” has allowed us to connect documents, then the “Graph” will allow us to link the documents (places, objects, etc.) and the people. So we could define the Graph as the third level of abstraction, taking into account that in each layer (Internet, Web, or Graph) we have handed over some control only in order to reach bigger benefits. A direct consequence of these dynamics is the definite statement of a (unique) identity on the web that can be recognized by any agent, person or application.

This unmistakable digital identity facilitates the development of innovative social hardware projects based on participation of a non-collective nature, where the dynamics of collaboration are the result of individual action and interaction. We are progressively discovering the self-organisation of informed societies that are capable of revolutionizing their own structures taking advantage of the virtual mirror phenomenon that enables the association of information on a given situation with individual decisions.

open source urbanismImage by Francesco Cingolani | francescocingolani.info based on flickr images by garpa.net & See-ming Lee

Control and decentralization

 
Social networks reinforce a new type of control: a decentralized control operated by a diversity of independent individuals that collaborate, using shared and mobile capacities of calculation and communication. Information and Communication Technologies do not present a solution, but an opportunity to improve our ability to manage territories. ICT’s can be used for many different purposes. On the one hand their enormous capacity for processing data can be used to centralize all the information and try to “solve” urban complexity; but they can also be used to open and decentralize decision-making.

The aim is to research on how ICT’s allow us to define an urban administration structure where discontinued points of control exist in an environment of self-determination (appropriation) and liberty. This is an idea that is close to the definition of tensegrity that Buckminster Fuller mentions: “islands in compression inside a tense ocean“.

The introduction of digital technologies within the physical space enables the development of new communication dynamics and relations between neighbours that improves the cohesion of local communities and their quality of life, offering a feeling of greater security.

Thanks to new technologies and to some cultural “mutations”, systems and worlds that were previously closed and not very transparent, are now open to the participation of agents (and people) who are external to their organisational structures. Citizens become more available to participate and collaborate because they are better informed and they are finally considered as useful partners for the urban administration. Architects and urban planners can reasonably begin to work keeping in touch constantly with citizens, “sharing” their decision-making “powers”.

To explain this phenomenon we can refer to the concept of “long tail” coined by Cris Anderson. The Internet and the digital environment have changed the (power) distribution laws and the market rules. The present political and economic system is based on a pyramid structure where the power (or the economic or creative potential) of many is considered inferior to the power of those that stand on the highest part of the pyramid. There is a new system based on the addition or accumulation of all the small potentials (or powers) of the mass of citizens that, thanks to the systems of communication on the internet, can equal or exceed the power (or potential) of those who are in a privileged position today. These are the old markets of masses and the new niche of markets that are pictured at the top and the bottom of the well known graph of statistical distribution.

The presence of a centralized identity is not needed when the control and feedback devices allow the actors to visualize or to become aware of the consequence of their actions. The unconscious self-organisation phenomenon becomes conscious and intended control when the individuals are allowed to understand the effects of their actions. The concept of tensegrity comes in here when it refers to an administration model where decentralized and centralized decisions are joined, avoiding the appearance of any closed and omnipresent control dynamics.

Reversing the supremacy of centralization over individual decisions, citizens can become aware of their actions and intentionally coordinate them. This process may help to restore the necessary legitimacy and credibility to the interventions that take place in degraded urban areas.

control y descentralizacion Image by Francesco Cingolani | francescocingolani.info

Towards participation: Accountability and open data

 
“Participation demands an information system, an observatory and indicators that will regularly reflect the situation of what we consider as key variables to establish our evolution, that should be accessible and comprehensible for citizens” (Agustín Hernández Aja, 2002)

In 2002, Hernández Aja, Urban planning professor at the Universidad Politécnica in Madrid, describes the essential assumptions for citizen participation. A decade later, communication models and administration dynamics that bring us close to these assumptions start to become popular.

I would like to highlight (point out) accountability and the Open Data movement.

Approaching the term accountability we can create an ecosystem of communication and transparency that can enable citizens to demand responsibilities from governing bodies. This would help us to reach the objective of decentralizing control, which is necessary for a true democracy.

Open Parlamento (openparlamento.it) is a great example of how to work to achieve accountability. It is a web-based tool that enables distributed monitoring of the work of the members of parliament in the Italian parliament.

The web page offers lots of information on draft legislation, and in general, about all the activities in the Parliament. Most interesting of all is the distributed monitoring system that allows for control of every Member of Parliament’s political activities. Every citizen can “adopt” a member and publish all their declarations and confront them with their parliamentary activity.

We can imagine this same system applied on a local scale, where citizens have greater organization capacities and power to exert pressure. The control to which all the local administrators would be subject to, would be so intense that they would nearly be obliged to start up a transformation of the administrative structures towards a more open and participatory model.

The Open Data movement is an important drive towards achieving transparency over public administration. Open Data consists of making Public Administration data available for the public, such as data related to projects that are financed with public money or managed by public institutions.

The aim is to take advantage of the data that the public administrations do not want or do not have the capacity to analyze. Releasing this data enables any person or organization to build new consultation and visualization formulas, to simplify, diversify and even to enrich the initial information.

In Spain, within this new tendency, the Open Data Euskadi project should be highlighted. It is part of the Open Government initiative of the Bask Government: a website dedicated to the exhibition of public data in a re-usable format, under open licenses. On an urban scale, two projects stand out that have been activated by two Spanish cities; Zaragoza and Córdoba. They are beginning to take their first steps in the world of Open Data.

I am convinced that citizen pressure will force all the big cities to join this process of openness and transparency.

sentient cityImage by Francesco Cingolani | francescocingolani.info REAL-TIME CITY | a proposal for Smart Turin by HDA | Hugh Dutton Associés.

Open source and Network Awareness

 
As we mentioned previously, reversing the supremacy of centralization over individual actions, citizens can become aware of their “power” and begin to organize in networks.
We have the technology the knowledge and the dynamics available to introduce more open urban administration processes. Citizens have begun to move; the administrations could take advantage of these autonomous and independent processes, to manage very complex situations. However, a clear political will is still lacking.

Probably the administrators have managed to delay the transition towards a new participatory administration model, thanks to the indirect or even direct support of what is known as the “fourth power”: the media. The current information system still offers the administrators and the “powerful” a wide opportunity to manipulate and control certain processes.
The emergence of a more distributed information model is beginning to offer to any citizen the possibility to produce relevant local information. A communication ecosystem based on social media is born.
This new information ecosystem can reduce the influence of the mass media and therefore force the local administrators to enforce accountability regarding the decisions that are taken. The administrators will be compelled to relate to this new, more horizontal and distributed form of communication: an opportunity to generate “social control” that can improve transparency and force the local administrators to take the public opinion into account.

A clear example of what is being presented here, are the latest citizen mobilizations that are happening in Spain. After the 15M demonstration, an organized and authorized event, many occupations took place in numerous squares in the whole of Spain. These camps were organized in a matter of hours using Twitter and Facebook. It is impossible to exert control over these information flows and action catalysts like the occupations. Steps have been taken towards a model in which governors and administrators are going to have to understand that they cannot continue to ignore the citizens while they defend the interests of others.

We are witnessing an innovative construction process of a new communal and public sphere; the development of a new model of public space that we have called “sensitive space”. Traditional media don’t communicate what we the people are debating on a daily basis, nonetheless, thanks to Social Networks, people can receive information and interact in real time with others taking part in debates and social movements, the example of the occupation of public squares is an example of this.

It is interesting to note that the in-situ (on-site) realm is absolutely essential and how the digital media is simply offering a wider environment for communication so that the organisation of any given action is greatly improved; everything becomes decentralized while at the same time connected and synchronized.

These processes seem to be nearly inevitable. Once they are established as natural local administration processes then we will be speaking about a more favorable environment, for an Open Source City, that is, a city open to everyone’s participation.

Flickr image by Julio Albarrán

This article was originally published in urbanohumano.org and Studio Magazine.

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Climate Change Adaptation in Kokkedal

Category: colaboraciones+concursos+eu:live+⚐ EN

We are very pleased to announce that Ecosistema Urbano has been pre-qualified to participate in the competition “Klimatilpasning i Kokkedal” (Climate Change Adaptation in Kokkedal, 30km North of Copenhagen, Denmark). We participate together with Spectrum Arkitekter (DK) and Tyréns (SE) and with an expert panel consisting of: Morten Elle (U.S.), Territorial Studio (FR), Street Movement (DK), Soren Hansen and Steffen Aarfing (DK).

klimatilpasning

This competition is a collaboration between Realdania Fredensborg Municipality, Realdania, Local and Construction Fund and the public housing companies in Kokkedal.  The challenge is to explore new possibilities for local management of stormwater and flooding and how to combine it with recreational areas ​​and new active sites, new places for citizens to meet.

Image credits: Spectrum Arkitekter

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URBACT | Implementando en las ciudades un desarrollo local liderado por la comunidad

Category: noticias+urbact+⚐ EN+⚐ ES

¿Cómo puede convertirse el desarrollo local liderado por la comunidad (DLLC) en una potente herramienta para mejorar nuestras ciudades? Partiendo de la experiencia de URBACT, varios expertos en desarrollo urbano han lanzado sus primeras propuestas en un artículo titulado “Implementando en las ciudades un desarrollo local liderado por la comunidad: lecciones desde URBACT”.

Image by Tony4carr - Flickr - click to view source

URBACT publicó el artículo tras la inclusión por parte de la Comisión Europea de un nuevo artículo en sus propuestas de políticas de cohesión para el período 2014-2020, en el que incitaba a cuatro importantes fondos a trabajar juntos para dar soporte al DLLC. La intención tras esta iniciativa es “facilitar la implementación de estrategias integradas de desarrollo local y la formación de grupos de acción local basados en la experiencia del enfoque LEADER”.

Los autores del artículo (Paul Soto, Melody Houk y Peter Ramsden) apuntan que, aunque se trata de una propuesta prometedora, es importante cuestionarse cómo un método o modelo como éste, basado principalmente en la experiencia rural, puede ser aplicado al contexto urbano. A partir de la experiencia de URBACT, el artículo argumenta que aunque la mayoría de los principios fundamentales del enfoque LEADER (basado en áreas, integrado, asociado e innovador) son transferibles, es necesario adaptar el modelo a las complejas y específicas características de las áreas urbanas.

“Esperamos que esto sirva de comienzo para un debate”, dicen los autores. “Muchas propuestas de futuro están siendo desarrolladas mientras escribimos. Es esencial incluir la experiencia de diferentes ciudades de distintas partes de Europa para asegurar que las propuestas son trasladadas de una forma operativa que pueda estar a la altura de los desafíos que enfrentan las ciudades”.

A continuación os dejamos un pequeño sumario y el artículo original, en inglés:

1. En el comienzo… estaba LEADER
2. ¿Qué áreas locales?
3. Definiendo áreas “coherentes”
4. De la integración horizontal a la multidimensional
5. ¿Liderado por qué comunidad?
6. La innovación requiere más que compartir buenas ideas

Sigue leyendo:

Noticia original y artículos citados, en inglés:
Implementing “community-led” local development in cities. Lessons from URBACT – PDF
Community-Led Local Development – hoja informativa de la Comisión Europea – PDF
Este artículo forma parte de un acuerdo de publicación con URBACT

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dreamhamar at Re-Architecture exhibition | Pavillon de l’Arsenal, Paris

Category: news+⚐ EN

The Pavillon de l’Arsenal has invited fifteen European agencies —including Ecosistema Urbano— that question the way that modern-day cities are built to participate in an exhibition that will be opening this wednesday in Paris under the motto “RE-cycle, RE-use, RE-invest, RE-build”.

Re-architecture

We are very glad to be there among such a great selection of agencies and collectives (some of them featured in our recent series about placemaking) that share the same interests and explore similar approaches while working in quite different contexts.

Our contribution to the exhibition will be focused on dreamhamar, our most recent participatory project in Hamar (Norway), in which we have applied our ideas about network design.

dreamhamar

dreamhamar

A quote from the exhibition follows:

In Amsterdam, Berlin, Brussels, London, Madrid, Paris or Rotterdam,… these extraordinary teams have taken up a critical stance. They admit to exploring the role of architecture in societal changes. They are pro-action and produce and often even build their projects themselves. The practices are promises which revive long-forgotten utopian ideals.
They all invent wonderful standards and approach the complexities of modern life with the ability to transform into reality the potential that lies at the crossroads between experience and the built-up world. They are pragmatic, good at conveying their message and tend to work with the existing residents and for the inhabitants of the future.
The thirty exhibited proposals, shown at the various stages of development, describe the conditions in which the orders were placed, the study behind the projects, participative action as well as the conditions in which studies were carried out and the projects completed. Each proposal is thus presented through videos, drawings, interviews, plans and photographs to provide the public with an idea of the innovative and experimental nature of their research. Whether temporary or permanent, these projects are perfectly in line with the times and do not create extra constraints which could limit future choices.

We highly recommend you to visit the exhibition if you can, and to have a closer look at the work of the rest of the participants:

AAA – Atelier d’Architecture Autogérée (Paris), Andrés Jaque Architects (Madrid), Assemble (London), Bruit du frigo (Bordeaux), Collectif Etc (France), Coloco (Paris), DUS Architects (Amsterdam), Exyzt (Paris), MUF architecture/art (London), Practice Architecture (London), Raumlabor (Berlin), Rotor (Brussels), ZUS [Zones Urbaines Sensibles] (Rotterdam), 1024 architecture (Paris)

Pavillon Arsenal

More info: official website
Place: Pavillon de l’Arsenal
Open: Tue-Sat 10.30 a.m. – 6.30 p.m | Sun 11 a.m. – 7 p.m.
Entrance: Free, 12th april – 2th september 2012

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URBACT | ¿Que sucedió durante los URBACT INFODAYS?

Category: noticias+urbact+⚐ EN+⚐ ES

Una serie de URBACT INFODAYS celebrados en 19 países atrajeron más de 1000 participantes de ciudades de toda Europa entre diciembre y febrero. Los eventos estuvieron llenos de discusiones, ideas y debates. Para los que no pudieron asistir, aquí os dejamos una selección de lo que vimos y oímos en Bruselas, Lisboa, Varsovia, Roma, Brno, Riga, Estocolmo, etc.

URBACT INFODAYS

El objetivo de estas reuniones fue extraer lecciones de la implementación del programa URBACT hasta la actualidad, desde la participación nacional, y presentar los términos de referencia de la tercera convocatoria de propuestas URBACT.

También se presentó en INFODAYS un vídeo sobre el método URBACT que se puede ver en el canal de URBACT, traducido a 17 idiomas, y que insertamos más abajo.

A continuación adjuntamos las principales presentaciones mostradas durante los eventos:

Introducción al Programa URBACT II – PDF ⚐EN
Tercera Convocatoria de Propuestas URBACT II – PDF ⚐EN

Así como las presentaciones del URBACT INFODAY que tuvo lugar en la sede de la Comisión Europea en Bruselas el pasado 18 de enero:

La dimensión urbana de las políticas de cohesión 2014 – 2020 Presentación por la Comisión Europea ⚐EN
El caso de Sabadell – Proyecto ESIMEC Mesa redonda – Ciudades miembro de URBACT compartiendo su experiencia ⚐EN
El caso de Nyíregyháza – Proyecto RegGov Mesa redonda – Ciudades miembro de URBACT compartiendo su experiencia ⚐EN
El caso de Aarhus – Proyecto REDIS Mesa redonda – Ciudades miembro de URBACT compartiendo su experiencia ⚐EN

El vídeo acerca del método URBACT:

Más información:

URBACT Call for proposals – web de URBACT
URBACT INFODAYS in your country! – web de URBACT
URBACT videochannel – canal de vídeo URBACT en Dailymotion
Artículo original en inglés.
Este artículo forma parte de un acuerdo de publicación con URBACT

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Open Data Handbook 1.0

Category: findings+⚐ EN

Last February the Open Knowledge Foundation presented the version 1.0 of the Open Data Handbook, a guide that explains the basic concepts of open data, especially in relation to government.

Open Data Handbook

It covers how open data creates value and can have a positive impact in many different areas. In addition to exploring the background, the handbook also provides concrete information on how to produce open data.

As the introduction explains:

Do you know exactly how much of your tax money is spent on street lights or on cancer research? What is the shortest, safest and most scenic bicycle route from your home to your work? And what is in the air that you breathe along the way? Where in your region will you find the best job opportunities and the highest number of fruit trees per capita? When can you influence decisions about topics you deeply care about, and whom should you talk to?

New technologies now make it possible to build the services to answer these questions automatically. Much of the data you would need to answer these questions is generated by public bodies. However, often the data required is not yet available in a form which is easy to use. This book is about how to unlock the potential of official and other information to enable new services, to improve the lives of citizens and to make government and society work better.

The original version of the book, called “Open Data Manual”, was written during a book sprint in Berlin in October 2010. Since then, a wide group of editors and contributors have added to and refined the original material, to create the Handbook you see today. Just click the image below and read it online:

Open Data Handbook - ver online

The vision is to create a growing series of open-source Handbooks and Guides that would offer advice on different aspects of open data. This project has already been started, being available so far:

Do you find it useful and want to see it further improved? Then you could consider becoming a part of the project and contributing to its development. The project now lives as a self-contained project within the foundation, its community being mainly centred around the open-data-handbook mailing list. It is primarily supported by the open government data and the EU open data working groups, and of course you can join in and add your bit.

There are many ways you can contribute:

  • Would you like to have it in your language? Help translating it! They are using Transifex to manage translations; see the instructions on their wiki for information about how to get started.
  • You can point out corrections and suggestions for improvement on the issue tracker or by emailing opendatahandbook[@]ofkn.org.
  • You can contribute to the next version of the Open Data Handbook:  join the mailing list and share your ideas!
  • A country specific adaptation could be also a great addition you could work on.
  • Donate! The OKF is committed to keeping the Open Data Handbook entirely free, and all contributions to make this possible are gratefully received.

Source: OpenSource.com
Front page image: digiphile + cactusbeetroot

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dreamhamar | NLA lecture day 2012 in Gjøvik

Category: news+⚐ EN

Next week Belinda will be sharing our experience around the dreamhamar project at a lecture day in Gjøvik organized by the Norwegian Landscape Architects Association and entitled “Nytt djervt frekt”, which means something like “New bold persistent” in english. Three keywords that describe a certain approach to landscape architecture and urbanism.

There will be two lectures on Friday 23 about dreamhamar:

11:50 – DreamHamar!
By city manager Kari Nilssen and city architect Geir Cock, from the Municipality of Hamar
Main square in Hamar: What happens when a foreign group works with ideas of local citizens? Why is everyone inside the process positive and those who are outside of it, critical?

12:20 – DreamHamar and Ecosistema Urbano
By architect Belinda Tato
How does the bold Spanish company Ecosistema Urbano work?

NLA fagdag 2012 – Program

We hope to meet you there!

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House of Steel and Wood | a model from across the ocean

Category: findings+⚐ EN

Sometimes the Internet brings us great surprises. We’ve been recently contacted by some students from the U.S. (Bernabe Longoria, from the University of Texas at Arlington, U.T.A. and Fabiola Miria, Brigid Hardiman and Shih-hsun Lin, from New York Institute of Technology) regarding the same project: the House of Steel and Wood in Ranón.

Across the ocean

As there isn’t much information about this building around the net (in fact I just realized it isn’t even published here), they asked us to send them the plans. The surprise came when, some weeks later, Bernabe contacted us back and sent us some photos of a nice scale model he had made using that technical information. Here you can see them:

Vista 1

Vista 2

Vista 3

Nice, isn’t it? It’s even more detailed than Ecosistema’s own models! And Bernabe also wrote us some words:

Dear Ecosistema Urbano,
My name is Bernabe Josue Longoria and I am a student at the University of Texas at Arlington [also, he tells us he was born February 8, 1990, raised in the small town of Cleburne, Texas]. This is currently the beginning of my junior year in the architecture program and the first assignment given to us was to study a small, residential, prefabricated house of our choosing. After spending a few days going through books in our library and houses online, I finally stumbled upon the House of Steel and Wood.
The organic simplicity of this design was what impacted me most, along with the spaces themselves. Nothing interrupts them, which allows anyone to not only enjoy the company of their own family and friends, but the beautiful surroundings in the area.
Being from Texas, everything must be expensive, everything must be better than “that design”, above all, everything must be bigger. As a student the fame, fortune, and idea of my name becoming a generic stamp on a building has never been something important to me. What I aim for in this career is clearly what this house displayed; to impact the world itself without leaving a mark. I find it very interesting that you are able to design with not only a limited amount of space but materials as well. I have never been taught to design at this scale or style, so this was a whole new experience for me seeing as how The House of Steel and Wood was my first precedence of this type of architecture. I hope to pull from this experience the concept of making a feasible, discrete, and sustainable designs for the earth and by the earth; therefore offering a design to the world without taking away from its natural beauty.

Bernabe with his model

Many thanks to Bernabe for sharing his work with us! And there’s even more: Fabiola, Brigid and Shih-hsun are right now working on a BIM model of the same house; here at the office we are all eager to see the result.

This kind of interactions make us even more aware of the importance of sharing information about each one’s projects and creations. Right now, everyone can already download the Air Tree project or, just for fun, get the CAD files for EU Comics, but there is still a long long way to go: could we publish every project the same way?

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EU collaborators | Julie Kaalby Bjerre

Category: colaboradores+⚐ EN

Today we are happy to introduce you to Julie, one of our most recent collaborators. Welcome to Ecosistema Urbano!

Julie Bjerre

In her own words:

I am currently a master student of architecture at the Aarhus School of Architecture, from where I also completed my BA of Arts in Architecture. During the past years I have found a lot of inspiration from travelling and through my camera I try to take notion of every-thing that wonders my Nordic eye.

One late evening at the Aarhus School of Architecture I found myself caught in a post about the parallelism between pizzamaking and a concept called network design. When I was to discover that the Madrid based studio Ecosistema Urbano was the pizzachef, I realized that to learn more about this intriguing idea of network design and how to profoundly activate the citizen as a integrated ingredient in architecture, I had to head south. I had for a while been interested in the relation between citizens and architecture and I found Ecosistema Urbano’s mindset very inspiring.

With strong predilection for a sensible architecture I usually try to work with the mechanisms of the urban landscape to create durable concepts that can make us even more aware of the beauty of our constantly evolving environment. During my studies I developed a strong interest for an architecture of process –and I encountered the idea that the process is in fact the project. By working with Ecosistema Urbano I am hoping to explore another layer in the field of architecture in process, that I have not yet been able to fully explore during my studies.

So here I am. Lets bake!

And here is Julie’s short profile and related links:

Occupation: master student, Aarhus School of Architecture
Interests: People/city/landscape, travel, photography, food, friends, family, hygge
City, country: Aarhus, Denmark
Web: juliekaalbybjerre.dk
Social profiles: facebook.com/julie.bjerre

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What if…? Manama | Workshop at Bahrein

Category: eu:calls+news+talleres+⚐ EN

Next Thursday 23 two of us will be flying to Manama (Al Manāmah, Bahrein)  for a workshop, in the context of the Open Ideas Competition Bab Al Bahrain.

Sattelite view of the site

The workshop, which is open to both architecture students and general public, will take place around Bab al Bahrain (Gateway of Bahrain) on Friday 24 and Saturday 25. During these two days we will try to approach and visualize the identity of the city from the point of view of the citizens, with the aid of the whatif web and mobile application. We are looking forward to meet you there!

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EU lectures | Oslo & Copenhagen

Category: news+⚐ EN

Next week we will be giving a lecture in Oslo and Copenhagen about our work, including the latest projects like dreamhamar.

 

Norwegian Centre for Design and Architecture

 

Oslo | 15.02.2012 | 19:00 h | learn more

Organizer: Architects Association of Oslo
Host: Norwegian Centre for Design and Architecture

 

Living Copenhaguen

 

Copenhagen | 17.02.2012 | 19:00 h | learn more

Organizer: Living Copenhagen project
Host: PB43 / The Tower

http://www.livingcopenhagen.org/about-php/

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placemaking | Collectif etc

Category: placemaking+urban social design+video+⚐ EN

“Our projects are optimistic, open and focused on the spontaneous population of the city”
- Collectif etc

Following our last week’s post on Place au Changement, and still in the frame of our placemaking series, we were curious to meet with collectif etc. From the other side of the Pyrenees, we managed to contact them on their Détour de France, so they could share some impressions about their experience in Saint-Etienne, and ideas about placemaking.

placemaking | Collectif etc from ecosistemaurbano on Vimeo.

The Détour de France

Since October 2011, collectif etc has started a Détour de France, a trip around France to meet different makers of the city – inhabitants, associations, professionals, institutions – who seek for alternative ways and models of generating the urban fabric.

“The making of the city formerly follows complex and vertical processes, according to a hierarchy often excluding the population concerned. Public urban projects tend to remain in the professional field of architects, consultants and clients (often local or national administrations) and to generate isolated solutions from the community’s real needs.
In response to this gap, new participatory processes are emerging in various cities in France, aiming to involve the population in building their own living environment. We are off to meet the actors behind these initiatives, and work with them in the social making of the city.”

The itinerary was initially based on the collective’s established contacts, yet it remains flexible to any potential opportunity along the way. Until august 2012, Collectif etc will be pedaling, meeting, sharing, creating, building, tinkering and designing, adding the preferred co- prefix according to the different people they encounter on the way.

Two objectives in mind:
1. make a census and build a network of the different actors involved in a social making of the city
2. collaborate with them along the trip on interventions in public space

For french speaking readers, you can follow their progression on their blog, and we recommend you read the full description of the project here.

Active since September 2009, Collectif etc is a combination of sparking energy, innovative dynamics, social engagement, creative experimentation and human interactions. Their practice materialises in various forms - built structures, ephemeral interventions, urban furniture, workshops and debates –  where the common key is about generating a process, and building a community. Their projects take root in the existing climates of exchange and creation, grow from collective action and intelligence, and catalyse the existing dynamics of the community into the design of their living environment.

In short, a breath of fresh air in the scope of city related professionals. You can be sure to here from them again.

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EU collaborators | Marta Battistella

Category: colaboradores+⚐ EN

Today we are very glad to introduce you to Marta Battistella, one of our most recent collaborators.

Marta is a graduate student at 4Cities, a European master in urban studies which takes students to Brussels, Vienna, Copenhagen and Madrid. Previously, she also studied visual arts and theater in Venice and landscape design in Vienna.

To the question “Where are you from?”, her answer is both open and precise:  30% from Este, 30% from Venezia, 20% from Wien, 5% from Modena, 5% from Bruxelles, 5% from København and 5% from Madrid.

She is mainly interested, among other topics, in cultural theory related to urbanism and public spaces, landscapes, contemporary dance and photography. A wide and rich profile that brings new approaches and perspectives to the agency, so we are sure we will be sharing interesting debates and experiences with her at work during her internship.

Welcome, Marta!

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Authorship and collaboration | Urban Design Conference at Harvard

Category: events+⚐ EN

Next Saturday —February 4, 2012— José Luis Vallejo and Edgar Pieterse will be giving a lecture about “Authorship and collaboration” as part of the Urban Design Conference at the Harvard Graduate School of Design.

UD conference

The conference, subtitled Conditions and projections, hopes to propel a discussion about the unfulfilled potential of the practice of Urban Design and the role it can play in mediating the different disciplines and forces that eventually mould the built environment in our cities, suburbs and peri-urban conditions —the larger landscape that comprises the objects of human interventions of various kinds.

Participants in the conference will address 6 specific aspects relevant to contemporary discourse in Urban Design:

  • Land/form or the re-consideration of architecture’s traditional relationship to the ground, city and landscape, no longer occupying a site but instead, constructing and transforming the site itself.
  • Micro-Urbanisms or how in the context of crisis and uncertainty, local, networked, and even intangible interventions can have a direct impact on urban life.
  • Applied Research or the instrumental use of teaching and academia’s theories, methods and techniques for the purpose of real transformation of the urban realm.
  • Regulatory Practices that actively engage design through planning and policy making to propose more comprehensive scenarios to the current physical transformations of the built environment.
  • Strategic Upgrading, or the idea of large-scale transformation precipitated by strategic changes in the urban microcosm.
  • Authorship and Collaboration, or the exploration of current thinking about the role of collective authorship and collaboration within the design process in response to diverse working scales, emerging technologies and degrees of complexity

You can learn more about the conference at the official website.

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placemaking | Place au changement

Category: placemaking+urban social design+⚐ EN

Place au Changement is a co-constructed square and a placemaking process conducted by collectif etc, to create the Giant’s square, a self-managed temporary public space in Saint-Etienne.

Saint Etienne, Châteaucreux. Since 2008, the district entered a long-term process of urban transformation, a process of destruction, reconstruction, renovation, a process where different mutation stages and time-spaces side and cohabit, often leaving voids pending for weeks, months, sometimes years. And why not include these urban gaps in the process? Why not take advantage of change to colonize rather than procastrinate? Such were the questions carried out by the EPASE (Etablissement Public d’Aménagement de Saint Etienne) when announcing the competition “Défrichez-la” – literally suggesting “Clear it” – to temporarily occupy plot 58, at the crossroads of Ferdinand and Cugnot streets.

Place au changement was collectif etc’s response, to design both a square and a participation process. The name itself plays on two layered meanings: the square Of change and the process to Give way to change. The first intention, to reflect the on-going mutations in the neighborhood and remind the square’s temporary condition, was to design the square as a transitional step of its future outcome: on the ground, the imaginary plan of a future apartments building meant to replace plot 58, and on the surrounding wall, its corresponding section. And second, to design a process involving the citizens both in building the proper square and its identity as a public space.

“Make yourself a square !”. The familiar DIY tag line came out as a call for participation while launching the communication warm-up strategy, first step to pave the way for the upcoming event. Following their success in March 2011, collectif etc, along with two graphists - Bérangère Magaud and Léatitia Cordier - initiated the process by making public presentations of the project in local council assemblies, organizing meetings with the concerned political actors, contacting local associations, social centers and foster cares, negotiating with different city services the maintenance of the building site and its subsequent public space, and opening a blog to keep daily track of the project’s evolution, in order to spread the news in the greatest number of circles.

On 14 July, the building site opened to public participation. To involve the local inhabitants in the construction process, the work was organised in three thematic workshops, aiming to target people according to their own field of interest, capacities and knowledge.

The wall painting workshop, to dress the painted cross-section and bordering fronts with real scale drawings of daily objects, mainly involved the children of the Soleil and Cret de Roch neighborhood houses. The nationally renown street-artists Ella & Pitr also made a punctual intervention to paint the huge Giant, which later inspired the square’s actual name, and allowed to arouse national interest and local pride, while valuing the children’s work alongside.

The gardening workshop, to design and plant the green spaces of the square, spontaneously involved neighbors in the long-term. People voluntarily brought plants and tools from their own homes, and shared their knowledge, from which the collective had usually a lot to learn. On the last day, the group built a shelter to keep the tools and a 1000L water tank which was agreed to be regularly filled by the local city service.

The carpentry workshop, to make the square’s framework and furniture, involved any handy volunteer in the construction of the preconceived designs. A member of the collective along with a neighbor who was spontaneously designated foreman by the team, were in charge of driving and supervising the workshop, and helping people with the tools at the participants’ disposal.

Place au Changement proposed to use not only the building site as a public space, but also the building period to schedule on-site events. A building site is an event as such : closed streets, constant noise, and permanent activity. Yet, whereas we tend to call it nuisance, Place au Changement’s constant occupation was other: free and collective meals, tournaments, concerts, activities, performances, meetings…

During three weeks, what was formerly a wasteland became a daily attraction. Every Fridays announced a collective dinner, prepared by the women of the Dames de Côte-Chaude ONG, which gathered up to 80 people around a couscous, tajine and paella. Saturday nights held open concerts, which drew a miscellaneous public around improvised barbecues and cheap drinks.

Sundays gave out out-door movie projections, that welcomed students of the Gobelins to release their own short films. Associations such as Feedback association, who coordinated a circus introduction workshop, and El Caminito who offered tango lessons, made punctual on-site interventions to incite more people to join the process.

Two round-table discussions around the citizen as an actor of public space were also held, as times of reflection and debate with local associations, authorities and professionals, aiming to claim for a more horizontal cooperation and direct communication between the citizens, actors and administrations in projects of urban and public nature.

On 1 August, the construction site ended in a closing event, marking a new step in the process, the opening of a public space in the neighborhood. To promote the citizens’ involvement, the most active participants had their name carved on a pole on-site, a poster was put up to explain the process, again naming all the stakeholders, and a booklet summarizing the project and three weeks of building and lucrative site was given out to the public. A public vote by show of hands, undertaken by the citizens, renamed the space Giant’s square, after Ella & Pitr‘s huge painting on the bordering wall.

The day ended by a closing concert and jam session, and a silent commitment not to lose what had been raised during the past weeks. For beyond an architectural design and a square, Place au Changement built a self-managed community, and stirred up an activity of spontaneous uses – to be continued.

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placemaking | Zuloark

Category: placemaking+urban social design+video+⚐ EN

Following our last week post on the Campo de Cebada, and still in the frame of our placemaking series, we decided to interview Zuloark, so they could tell us about their own field experience. In the end, we managed to find two Zulos in El Ranchito, absorbed in the construction of their new Open Offffice, and catch a few minutes of their time among drills, nails and hammers. Ironically, they shared their story on the few remains of City Island, first initiative at the root of the Campo.

placemaking | Zuloark from ecosistemaurbano on Vimeo.

“For us it has always been a kind of test, a laboratory where we would put ideas
that weren’t necessarily very clear. [...] The idea is to generate opportunities.”

What is Zuloark? An office, a collective, a platform, a frame, a kind of commitment?
- “You could be Zuloark.”

Indeed. Zuloark is an open and unstable network, a group of individuals who identify themselves as such, as members of a collective identity. The collective’s organisation is based on a completely liquid hierarchy, a mutable structure changing at all times and for each project, challenging the inherited hierarchical models.

By defining itself equally in each of its members, Zuloark doesn’t focus its professional activity on a specific theme, but constantly aims to multiply and extend its fields of intervention by generating various research lines, often linked to architecture and urbanism. You can tell their story from the actual spaces they worked in, some virtual like Zoohaus and Inteligencias colectivas, others physical, like the Campo de Cebada, all focused on building open networks and generating opportunities of co-working.

In terms of working platform, Zuloark considers itself as a zone of proximal development (ZPD), meaning the difference between what one can do with and without help. In other words it promotes a new knowledge environment based on a peer-to-peer model of horizontal collaboration and learning with more capable peers.

Which is precisely what aroused our interest. Despite its unstable and undefinable nature, Zuloark precisely finds meaning and consistency in the latter: a networked, open and unlimited structure aiming to promote collective intelligence and collaborative creation. Beyond an office or collective, beyond fulfilling projects and involving neighbours, citizens to participate in generating their own public space, Zuloark calls for a step further: a completely open and horizontal structure, a new participatory model where professionals and participants are no longer distinguishable.

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placemaking | El Campo de Cebada

Category: placemaking+urban social design+⚐ EN

El Campo de Cebada is a project carried out by the neighbors to incite the temporary occupation of the vacant lot in Cebada square in the center of Madrid.

If you live in Madrid, you probably had the chance to peek through the flimsy walls that shelter El Campo de Cebada. In the heart of the city, alongside the market in Cebada square in La Latina, the “Barley Field” – literal translation of “Campo de Cebada” – under the guise of disuse, oozes an unexpected welcome. After more than two years of bare cement and a great deal of joint effort, the vacant lot now blossoms with people.

From Arab cemetery, to actual square in the 16th century where the barley was sorted, to indoor market inaugurated in 1875 then replaced by the present one in 1962, to sports center built alongside the market in 1968, the site inherited a turbulent past. And yet, it is recognized as a place of commercial and especially, social exchange. Or it was, until in August 2009, according to an urban requalification program of the center initiated by the council of Madrid, the sports center and its public pool are demolished. Unfortunately, the city council is unable to raise the money for the new equipment, and the construction is delayed, leaving the neighborhood with an impenetrable square for an undetermined time; end of the story.

But after one year of silence, the empty space suddenly comes back to life. In September 2010 took place, under the direction of the Basurama collective, the annual event La Noche en Blanco: 21 activities to fill Madrid’s main streets with temporary occupations of public space, and reinvent our relationship to the city. Inspired by the slogan “Play on”, the Exyzt collective took over the vacant lot to put up City Island, a “temporary but lively public space to enjoy the shade of the rain forest and its lagoon”. For ten days, the neighbors had once again a place where they could simply meet, play, chill out and enjoy. As the event was coming to an end, and the “island” being dismantled, various discussions rose as to one concern: was the bursting activity following the one shot of City Island really meant to disappear again, pending for the vague promise of a new equipment to be fulfilled?

This is how the Field began to grow… ideas. Neighbors, members of local associations, stallholders of the nearby market, people of all ages and background, along with the Zuloark collective, gathered around the same ambition, get back the public space that was due to them. El Campo de Cebada became an association, a web page and a silent commitment. The process started with weekly meetings in the Onis bar, in front the vacant lot’s entrance, to compose a first draft of intentions before facing the city council. On the 1st of December was held the first meeting with the local authorities, and the real negotiations began. Meanwhile, the project was gaining interest and support among the local associations such as AVECLA and FRAVM, and arousing local curiosity. Several meetings followed, until on February 18th of this year, a temporary cession of the vacant lot was signed with the city council, and El Campo de Cebada opened its doors.

At the dawn of spring, under Concha Velasco’s silent oath “La vida por delante”, El Campo de Cebada started collecting ideas from the neighborhood, giving any proposal, activity or project of cultural, social, artistic or sportive nature, and of social purpose, the opportunity to come forth. Basic equipments, such as an electrical input and a multi-sport game court for local tournaments were quickly provided. Small chalkboards were placed at the entrance, to catch ideas passing by and communicate upcoming events. People started sharing questions, ideas and proposals on the web page. Weekly public assemblies were organized, along with the members of El Campo de Cebada association, to consider, review and schedule the different projects. Several ideas began to sprout.

Little by little, the once monotonous cement dressed with lively colors, work of some merry volunteer painters. The once vacant lot filled up with awkward objects: among others, mobile seats of all shapes, made from reused wood during the “Hand made Urbanism” workshop, conducted by  Zuloark with students from the Universidad Javierana de Bogotá, a shed on stilts, put up by Todo por la praxis, and shademakers made from wire rope and reused canvas by Basurama as an attempt to built shadows in the unfortunate solarium the place had become. And the once still and silent void came back to life.

Local festivities, meetings, events, tournaments… ever since its opening, El Campo de Cebada has rarely been at peace. This summer was set up an open-air cinema, and various concerts were held. Every Sunday, the Field fills with the melodies of Cantamañanas. El Campo de Cebada also became a shelter for “inappropriate appropriations”. A place of opportunity for social enterprises such as #edumeet, a twice weekly open meeting to debate on education, or Desayunos ciudadanos, monthly public breakfasts that take place in a street or square of Madrid to claim public space as propriety of the citizens. A meeting point where the community can discuss on the problematic situations regarding the neighborhood and brainstorm potential solutions, especially regarding the market’s and the new sports-center’s outcome.

But more than a place, or the climax of a specific claim, El Campo de Cebada is a process committed to participation, transparency and sociability, an experiment of placemaking between the citizens, local associations and political institutions. From seeding hopes, desires, and expectations, it is now bearing the fruit of a collective mobilization. But it doesn’t stop here. Harvest will come in time to gather new seeds, new farmers, and sow more cement fields among the many remaining in the city.

 

More photos in Flickr – El Campo de Cebada

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placemaking | Ooze

Category: placemaking+urban social design+video+⚐ EN

Following our recent posts on Théâtre Evolutif in Bordeaux, a project carried out for Evento 2011 to temporarily occupy square André Meunier, this week’s placemaking post is dedicated to the architects Ooze, Eva Pfannes (Würzburg, Germany) and Sylvain Hartenberg (Paris, France).

placemaking | Ooze from ecosistemaurbano on Vimeo.

“Cities aren’t buildings, they’re people”.
- Luis Fernández Galiano

Ooze define architecture and design as natural organisms, ecosystems of interdependent elements belonging to a greater whole: a city, a neighbourhood, a home; an individual. “Architecture and design are vital forms of expression, capable of provoking a broad range of thoughts, experiences, sensations, emotions and memories.”

As architects, Eva and Sylvain have worked on different scales and projects – from exhibition designs and scenographies, temporary interventions and installations like Théâtre Evolutif in Bordeaux (France), Between the Waters in Essen (Germany) or the community garden and kitchen in Amsterdan (Netherlands), to individual housing, and urban scale planning like the Bottrop city development strategy in the Rhur region – including different fields and actors.


Between the waters – Community Garden, and autonomous water treatment system in Essen


Community garden and kitchen, and urban empowerment strategy in Amsterdan

“The process is not so much about designing as it is about emergence.”

As part of our placemaking series, we were particularly interested in these architects’ social commitment, supplanting common designs for a standard mass, to spontaneous and subjective interactions, and individual stories. Ooze describe their first approach of a place as “an archeological research” : what was here before, who is concerned with this space, and who is likely to become so? “The occupants and users of any given space bring their own stories to bear upon it. They draw upon these narratives – their backgrounds and perspectives – to continually recreate the environment in which they find themselves.” Then, architecture is about joining individual details in a larger entity, about building a collective memory around on-going process.

“The process is not so much about designing as it is about emergence.”

With regard to to such perspectives, Ooze was brought to recently participate in urban art festivals, like the Emscherkunst in 2010, and Evento in 2011. Indeed, working on ephemeral interventions allows a more experimental approach, disconnected from the usual official procedures that come with an architectonical project “With the art project you can allow yourself to advance without knowing the outcome”. It allows to experiment, aiming to understand the local and collective identity of a place and different individuals, by observing immediate and spontaneous reactions; then consequently react to real-time issues of the place. Then, the architects’ role goes beyond a punctual intervention, to settle a flexible process and encourage an “informal evolution”, in which people are involved.

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placemaking | Ooze talks about “Théâtre Évolutif”

Category: placemaking+urban social design+⚐ EN

placemaking | We recently published “Théâtre évolutif” in Bordeaux the first post of our new series about placemaking, which is finally ready and will be published each Monday along the next two months. The following post shows some more images of the project and a short interview to Ooze, the architects that together with Marjetica Potrc co-designed and co-constructed it.

How were you brought to participate to Evento 2011, and especially to co-design the Théâtre Evolutif?

We recently participated in a number of public art on-site projects with Marjetica Potrc; in 2009 in Amsterdam and last year in the Emscherkunst 2010 with Between The Waters, the Emscher Community Garden. Both had a participative and multidisciplinary nature. Following these projects, in spring we were asked by the curatorial team of Evento 2011, “L’art pour une re-evolution urbaine”, lead by Michelangelo Pistoletto to work on Place Andre Meunier and collaborate with the artist collective Bureau d’Etudes on this location.

Théâtre Évolutif did not start as a concept as such but from the square, “Place André Meunier” – a place with a lot of history and a loaded past which had in time become almost a void in the city, not a place to stay, more a space to pass through.

In the team we came up with the idea to include the building site in the artistic concept. We decided to salvage the trees from this one and other building-sites in Bordeaux as well as the excavated soil. And most importantly we decided to build forth on the notion of the building site as an ongoing work in process and evolution.

How would you describe Théâtre Evolutif?

Théâtre Évolutif performs a collective action that demonstrates the cultural and physical remaking of the neighbourhood – an action that spans diverse disciplines and backgrounds. Through their direct involvement with the project, Saint-Michel residents are articulating a need for greater social innovation in the building of a sustainable city. They are giving new value to their identity with the neighbourhood and their commitment to it, even as they enact their vision of, as they put it, ‘how we want to live together’. For the municipal government, Théâtre Évolutif is a pilot project that tests a bottom-up approach to the design of the city.

Théâtre Évolutif is, fundamentally, a shelter and an agora, a place where groups and individuals can come together with a common purpose to engage with and learn from one another. Equally important, however, they can engage with and learn from the ‘relational objects’ of the Théâtre Évolutif – the open-roof structure, the water-supply infrastructure, the vegetable gardens, and the animals. For visitors to Evento 2011 Place André Meunier becomes a playground where they can discover and participate in examples of coexistence between urban life and nature, a laboratory where they see a new kind of city imagined and constructed.

The project is organized around three cycles: the dynamic cycle of citizenship (participating in the remaking of the public space), the human water cycle (the drinking water station and the public toilet), and the bio-dynamic cycle (interacting with the natural world for example, through gardening and beekeeping). The project enacts coexistence between the architectural site (“Chantier architectural”) and the social site (“Chantier social”).

What were your objectives and expectations, as architects and Evento guests?

Our objectives were to engage with alternative processes to remake the city based on bottom-up strategies, to look into a narrative which involves the residents, local associations and public authorities in the remaking of the square. For us it is very interesting to work on temporary art events as architects with the idea to extend the temporary work to a permanent one. We are very interested in the energy and the momentum that this type of event is bringing to a city to achieve results which normally would take much longer.

Architecture is by nature more permanent and therefore there is not much spontaneity and it is more political loaded with regulations which make the design and decision making process heavy. Art on the other hand, because of its temporariness can go a lot further to break more grounds in the physical, but also in the social. So with the art project you can allow yourself to advance without knowing the outcome, which in architecture you cannot afford because the stakes are higher and it is more frozen.

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2012

Category: ecosistema urbano+⚐ EN+⚐ ES

Estimados lectores, seguidores y colaboradores:

Desde Ecosistema urbano os deseamos un feliz año 2012.

Nosotros hemos comenzado el año celebrando el Día del Dominio Público, con la entrada en éste de las obras de autores como James Joyce, Rabindranath Tagore o Virginia Woolf, y estrenando en nuestro blog una nueva serie de artículos sobre el placemaking, uno de los conceptos más interesantes de las últimas décadas en lo que al espacio público se refiere. Además,  estamos ahora mismo trabajando en otras iniciativas y proyectos que iremos presentando a su tiempo.

Sabemos que hay muchas más cosas interesantes y positivas hechas y por hacer, así que desde este blog seguiremos trayéndoos reflexiones, proyectos, iniciativas, ideas y referencias que nos ayuden a pensar de otra manera y a trabajar mejor en aquello en lo que creemos y por lo que apostamos.

Un saludo con nuestros mejores deseos, y gracias por formar parte de esto.

Dear readers, followers and collaborators:

We wish you a happy 2012 from Ecosistema Urbano.

We have started the year celebrating the Public Domain Day, with the entry into it of the works of authors like James Joyce, Rabindranath Tagore or Virginia Woolf, and also launching on our blog a new series of articles about placemaking, one of the most interesting concepts of the last decades regarding public space. Right now we are also working on other initiatives and projects that will be presented at the right time.

We know there are a lot of interesting and positive things going on around us, and from this blog we will keep on bringing to you those projects, thoughts, initiatives, ideas and references that help us thinking in a different way and working on the things we believe in.

Have our best wishes and regards, and thank you from being part of this.

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placemaking | “Théâtre évolutif” in Bordeaux

Category: placemaking+urban social design+⚐ EN

placemaking | What if an urban vacant space could turn into a social public space? What if the neglected brownfields that abound our cities were to become a means to social interaction, an urban catalyst of local ventures, a landmark? What if urban design turned out to be a social process? This is the first post of a new series dedicated to placemaking, to projects born in these urban gaps, grown from social participation and involved in sustainable urban development.

Théâtre évolutif - Sketch by the collective Bureau d'études

Théâtre évolutif, carried out by the Bureau d’études collective (France), the artist Marjetica Potrc (Slovenia) and the architects Ooze (Netherlands) invited to collaborate for the Evento 2011, is a co-designed and co-constructed landscape and architecture installation aiming to inspire the future design of André Meunier square.

In the heart of Bordeaux (France), alongside the main avenue Cours de la Marne and close to the train station, sits André Meunier Square, one of the city’s biggest public space and yet, vacant. Situated in St Michel, middle class district hosting mainly immigrants, this urban gap, despite many previous attempts of improvement, remains pending to be occupied. Today, along with an urban requalification program of the district, the square is expecting a radical transformation.

From the 6th to the 16th of October took place in Bordeaux, Evento 2011, an international artistic event. Under the slogan “Art for a re-evolution”, the experience gathered artists from all around the world willing to carry out innovative reflections on urban public space, through creative and social temporary projects. On this occasion, the collective Bureau d’études, think tank and main coordinator of the project in André Meunier square, the architects Ooze and the artist Marjetica Potrc were invited to set up a participation process to design an urban microproject. Local citizens, associations, collectives and volunteers were invited to collaborate for a collective brainstorming around the installation, aiming to inspire the public space’s outcome.

Photography by Pierre Planchenault for Evento 2011

Photography by Pierre Planchenault for Evento 2011

The design process began last summer, officially on July 19th, when participants signed a charter aiming to define common objectives and to engage the members in a common process of design and participation of what would become the Théâtre évolutif. The name of the project highlights two intentions: théâtre, meaning theatre, as for a place where a diversity of individuals may interact, and évolutif, meaning having the capacity to evolve with time and adapt itself to its surrounding, both physically and according to its use. Conceived as a template of urban ecosystem, the project combines a landscape and architectural design and underlines the will to inspire a flexible public space, open to occasional interventions and spontaneous use.

Construction began on September 2nd, gathering all members implicated in the project and two architects, Alan Gentil (from Bureau Baroque) and Marc Berbedes (from Bureau d’études Bois Structures). The project was gradually put together between the stubbornly standing do-it-yourself shed, the Cabane à gratter, built in 2008 from waste materials with Les P’tits Gratteurs association (actively working in the district since 2001) and the menacing municipal construction site of the upcoming parking lot, actually occupying ⅔ of the square. According to its environmental commitment, the structure was made with the trunks of the condemned trees of the adjacent construction, and other building sites in Bordeaux. Free of any determined function, it puts forth more than a space, a welcoming face and a potential of various uses and occupations, aiming to inspire long term involvement.

Photography by Pierre Planchenault for Evento 2011

During Evento, the Théâtre évolutif invited people to take part in workshops such as planting herbs or making “seed bombs”, weapons of mass plantation (with Friche and Cheap association), to enjoy a shady 5 meters high stroll in the treetops (with Adrenaline association), to learn about aromatic herbs and birdhouses along with Bernard le jardinier (from La Maison du Jardinier), to make herbal tea from the plants collected on-site, or even enjoy free collective meals… But what next ? Gabi Farage (Evento commissioner) underlines that the real outcome of the project wasn’t the “one shot” of Evento but relies in its capacity to evolve, hence its name. A closing event on October 15th gathered all the citizens implicated in the process to talk about the future: how can we, real users of the square, get involved in its outcoming design? Evento was just the first baby step of a social process of great ambitions.

 

Learn more Podcast Radio Grenouille “Éventail d’EVENTO #10 – Écosystème urbain”

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EU collaborators | Manon Bublot

Category: colaboradores+placemaking+⚐ EN

Manon Bublot

 

Last week we were glad to welcome a new collaborator here at our office in Madrid.

Manon Bublot is an undergraduate student at the Architecture school of Montpellier in France. She studied last year in the ETSAM in Madrid through the Erasmus exchange program, and during that time she grew interested in social participatory processes as a transversal approach to design architectural projects.

She will be helping us with this blog, providing fresh content in English, highlighting the most interesting projects, professionals and collectives related to her (and our) fields of interest . We hope you enjoy her first series of posts about placemaking and related projects.

Welcome to EU, Manon! We hope you’ll have a nice time here with us.

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Hamar Experience 14 | Do you think a mango plantation on Stortorget is good for the environment?

Category: dreamhamar+events+⚐ EN

As every week, today we are announcing next monday’s Hamar Experience session, which is a live broadcast made by de Ecosistema Urbano team, full with stories and updates about the dreamhamar project. There goes the original text (by Marisa):

Hamar Experience 14 - livestream

dreamhamar is focusing on green an environmental matters these days and that includes Hamar Experience 14. Don’t be surprised at the title, it is one of the many possible and impossible ideas we get for the future Stortorget. What do you think? Are mangos good for the environment?

Send us your ideas and questions to dreamhamar@gmail.com and Belinda will answer them on Hamar Experience 14.

Belinda Tato will talk about the latest activities going on in Stortorget, Hamar, Norway. For instance, on Saturday 22nd there will be an event called greenhamar. From 13h, Naturvernforbundet, Natur og Ungdom, and Hexeringen mushroom gathering group will be offering free home-made local mushroom hot soup, smoothies at a new looking Stortorget square, courtesy of VEA School (Statens fagskole for gartnere og blomsterdekoratører). The weather forecast is 10ºC and a bit cloudy but there is not such thing as bad weather, only bad clothes, as a Hamar neighbour said once.

Join us at our Livestream channel on Monday at 18:00h to have fun with Hamar Experience from your computer!

Meanwhile, you can have a look at the video of the latest session:

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#followweb | MoreThanGreen.es

Category: #followweb+sostenibilidad+⚐ EN+⚐ ES

Aprovechando que es viernes y que el hashtag #followfriday arde por Twitter, retomamos nuestra propia serie de recomendaciones #followarch #web con una interesante incorporación al panorama web hispano- y angloparlante: www.morethangreen.es, creada por los alicantinos Playstudio.

Click to visit morethangreen.es

Aparte de su estructura clara y limpia, y el hecho de ser completamente bilingüe, el punto que hace especial esta web es su acercamiento a la sostenibilidad de una manera amplia, tocando todas sus acepciones, y a la vez precisa y cercana, mostrándola a través de ejemplos: ideas, proyectos, buenas prácticas, etc. En sus propias palabras:

PLAYstudio, dirigido desde Alicante por Iván Capdevila y Vicente Iborra, es una práctica que indaga en el campo del diseño sostenible en todos sus ámbitos, desde la arquitectura o planificación urbana, hasta acciones políticas o la gestión cultural. En cualquier trabajo, PLAY es su actitud; la REALIDAD, su campo de juego; la transformación de lo ORDINARIO, su felicidad; EXPRÉSATE, su modo; y la DIVERSIÓN, su destino.

Dentro de esta ideología se encuentra el proyecto MORE THAN GREEN, un concepto integral que agrupa proyectos estratégicos para la implantación y formación de cierta conciencia sobre la sostenibilidad en el contexto de la sociedad. Nace de la necesidad de explicar abiertamente a un público “no especializado” qué es la sostenibilidad MÁS ALLÁ DE LO VERDE, especialmente en un contexto en el que las nuevas políticas universales nos empiezan a hablar de sostenibilidad económica, social, cultural…

Por esta razón, no toma la forma de textos incomprensibles o pesadas teorías sobre la ecología o la sostenibilidad. Mucho más fácil que eso. Arranca tomando la forma de blog-enciclopedia multimedia, en la que se explica qué es la sostenibilidad a través de ejemplos, contados tan solo con imágenes o videos.

Su estructura es también sencilla, dos maneras de entenderse: la primera, desde el aspecto de la sostenibilidad más relevante (medioambiental, social, económica y cultural); la segunda, en función de su campo de actuación (arquitectura, arte, tecnología y políticas). El blog se completa con secciones específicas para niños y selección de los editores.

En esta primera fase, el blog cuenta con la inestimable contribución de Julia Cervantes Corazzina.

PLAYstudio, led from Alicante by Iván Capdevila and Vicente Iborra, is a practice that investigates within the whole scope of sustainable design from architecture and urban planning to political actions and cultural management. In any of their works, PLAY is their attitude; REALITY, their playground; transformation of the ORDINARY, their happiness; EXPRESS YOURSELF, their way; and FUN, their destiny.

Within this ideology is placed MORE THAN GREEN, a comprehensive concept that embraces strategic projects for the establishment and formation of certain awareness about sustainability within our society’s context. It is born from the need of explaining openly to a “non-specialized” public what sustainability is FURTHER THAN GREEN, particularly in a moment that new universal policies have just started talking about economical, social and cultural sustainability.

This is why it does not take the form of incomprehensible texts or stodgy theories about ecology or sustainability. Easier than that. It starts taking the form of a blog-multimedia encyclopedia which explains what sustainability is by means of examples and through images or videos.

It can be read according to what sustainability field you are interested in (social, cultural, economical or environmental) as well as to the work field (architecture, art, technology and policies). It is completed with a section for children as well as an editor’s pick.

At this first phase, the project enjoys the priceless contribution of Julia Cervantes Corazzina.

Como le dije a Iván cuando me presentó la página, me parece un proyecto pertinente, interesante y atractivo, lo cual no es poco decir. Os animo a juzgar por vosotros mismos, visitando la web en www.morethangreen.es y siguiéndoles en Facebook.

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EU collaborators | Urska Cernigoj

Category: colaboradores+ecosistema urbano+⚐ EN

Urska

Urska Cernigoj

Architectur student in Faculty of Architecture, University of Ljubljana

My four months internship at Ecosistema Urbano is at the end. Working with such a great team, of young creative people is excellent experience for me at the point when I am just about to start my professional career. When I came here I immediately landed in the dreamhamar project. I took part at preliminary design process and now I am a part of a network design team. Coordinating, communicating, developing and dreaming Hamar’s square with so many participants and experts made this four months even shorter.

I am from Slovenia and I am an undergraduate student in the urbanism oriented program at the Faculty of Architecture from the University of Ljubljana. Before I finish my studies I decided to take the opportunity of the scholarship for international training exchange and to apply for internship.

In academic year 2009/2010 I was on Erasmus student exchange in ETSAG, University of Alcalá and became more familiar with Madrid’s architecture and also with Ecosistema Urbano, which became one of my favorite’s studios. Specially because of the projects, which are creative, smart, innovative, social and environmentally friendly. Probably the endless blue sky and mostly sunny weather only helped in my decision to come to Madrid again.

I am also the kind of person who always thinks that she does not have enough knowledge and I am always searching for new ways to learn more. Not just more about architecture but also about things from other professions, because when you have knowledge from different fields you can manage it and do things better. And my curiosity only helps. All this I found here and after four months I am even more convinced that my choice about the internship was right.

You can follow Urska on Twitter: @aksruc

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The Bureau of Doing Something About It

Category: critical city+design+⚐ EN

Bruce Mau Design, a design and innovation studio centered on purpose and optimism, set up design exhibition “The Bureau of Doing Something About It”. The exhibition took place in the Propeller Centre in Toronto, Canada.

During the past year over 1000 grievances, gripes, and annoyances were collected from people across the city. The Toronto Complaints Choir transform this complains into “disappointed people’s song”.

BMD studio decided to do something about it.  Studio designers Amanda Happé, Kar Yan Cheung, Chris Braden, Michal Dudek, and Paul Kawai team set up a pop-up studio, working in real-time in the Propeller Centre. They tried to design solutions in response to the complaints. A book of these ideas was also simultaneously designed, and sent throughout the city of Toronto and their citizens.

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Hamar Experience 13 | Lets get active and green

Category: events+⚐ EN

As every week, today we are announcing today’s Hamar Experience session, which is a live broadcast made by de Ecosistema Urbano team, full with stories and updates about the dreamhamar project. There goes the original text (by Marisa):

Go green

In this session Belinda Tato will talk about last week ACTIVITIES WORKSHOP. If you have seen the pictures, then you already know that the participants had a great time and really enjoyed themselves. As Creative Guest Elger Blitz said, playing is good for everybody, regardless of their age.

We also have a guest: ENVIRONMENT Community Activator Romy Ortiz, a human geographer from the University of Bergen. She works in the Centre for urban ecology, on environmentally friendly urban development, urban meeting places, and integration issues. This is what she writes about her role:

“Come to the workshop, so we can design a square that is human and environmentally friendly!”

If you don’t feel like surfing dreamhamar.org, this is your best shot at getting the latest news on what’s going on in Stortorget Square!

See you today, on Monday 17th, at 18:00 on dreamhamar.org!

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Hamar Experience 12 | Cultural Rucksack and art in public space

Category: dreamhamar+events+⚐ EN

This evening the energy of the young and the inspiration of the muses make a somewhat different Hamar Experience, but don’t be afraid, for it is what happens when you have so many things to talk about with such nice guests.

Kathrine Berg is a lovely woman and artist who is working with the 1,300 kids from the Cultural Rucksack Project. By the way, the Cultural Rucksack will finish this week and we are looking forward to seeing the results.

Inger Lise works on a different project about art and youth. Whatever she has to say, it is going to be interesting. And yes, we are letting her tell you the details about the project. We think it’s more interesting that way.

And there is more, because next week ACTIVITIES workshops begin and you are going to get a preview on what is going to happen there – What? You haven’t registered yet? It is free, it is fun and you’ll meet interesting people while talking about Hamar. And we might just invite you to coffee and cake, too.

There will also be a surprise for the technology oriented, so don’t forget your smart phone or your tablet pc.

Let the muses and the younsters inspire you this evening at 18:00h on Hamar Experience 12.

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Shop with a concept: Unpackaged

Category: creativity+sustainability+⚐ EN

Unpackaged is one of the shops with interesting, environmental friendly, and ethical concepts. Their philosophy is simple and they are describing it with this statement: “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.” (Buckminster Fuller)



photo: www.flicker.com (c) Grainger Laffan (globalpressgang.com).
For The Social Enterprise Coalition

The model of “world with less wasteful packaging” was created in 2006 by Catherine Conwayin, and company is achieving it one customer at a time. Unpackaged was set because Catherine wanted to refill her groceries using her own containers. She set up shop that made it really easy for customers to come and refill all their daily essentials. The products they sell are usually seasonal and from local production, with minimal transportation, mostly certified organic, and fair trade. In Unpackaged shop in London you can buy the exact amount you need or want so you don’t waste anything and also save money. And in the end going packaging-free means also that less waste will end in landfills.

How It Works? They are giving us some instructions:

- Remember to bring your containers* from home (if you forget, you can buy reusable containers here)
- Come to Unpackaged & say hello
– Weigh your containers at the counter then choose the product & amount you want
– Take your goods home & enjoy
– When you’ve run out, come back for a refill, simple as that!

*Containers: bring anything you like, there’s nothing to date that we haven’t been able to refill (even our lovely friend who likes putting lentils in old water bottles!) Bring glass jars, tupperware, old takeaway cartons, brown paper bags, plastic bags, old packaging.. if it’s heavy, we’ll weigh it first, if it’s light then just refill and we’ll weigh at the end.


photo: www.flicker.com (c) Grainger Laffan (globalpressgang.com).
For The Social Enterprise Coalition

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A Day at New York’s BMW Guggenheim Lab: A Grassroots Example of Creative Urban Development

Category: open culture+Uncategorized+urban social design+⚐ EN

In Manhattan, on the corner of Houston and 2nd avenue, there sits an empty lot between two brick buildings. For nearly a century, the lot has existed as a eye-sore for its neighbors, and a nest for lower east side rats. However, today it exists, cleared, paved and transformed into the temporary host of the BMW Guggenheim lab.

Between gratified walls, a massive steel structure, flat screen monitors and a speaker’s podium hosts guests and events that critique and inspire new ideas about 21st century creative urbanism. I had been meaning to visit the BMW Guggenheim lab since, while in Germany this past summer, a friend told me about it’s opening. After New York, the structure and monitors will be traveling to Berlin, and then on Mumbai. In fact, the structure and events are scheduled to travel around the world to 9 major cities for the next 6 years.

And what will become of the lot on Houston and 2nd? As I am currently researching the temporary use of vacant urban spaces, this question had been on my mind. I arrived in New York, serendipitously in time for the “What’s Next” discussions at the Lab. it turns out, the vacant lot owns a history of transformation efforts that extend beyond this past summer and BMW or the Guggenheim’s involvement. First Street Green, a local community organization made up of neighbors and friends of the area, has been trying to clean up and redesign the lot as community space for several years.

I choose the right time to visit. The day’s events kicked off with an address from First Street Green’s President, Robert Graf, who spoke a bit about the history of the 33 East first street site and their efforts to work with New York City Parks and Recreational facilities (who has owned the property since the mid 20th century) to clear and adapt the space to neighborhood needs. Next, friends of First Street Green, architects Jorge Prado and Silva Ajemian of Todo Design, presented a potential blueprint for the future of the site. Melding local neighborhood interests and the larger interests of New York City, they suggested a simple split-level architectural design: half community center and half park-space that would integrate the activities on the bustling Houston street with the first street neighborhood.

Then a representative from Art in the Parks, a project headed by the Department of Art and Antiquities, gave a presentation about the type of sculptures and installations that have been showcased throughout New York’s parks in the past. This presentation was meant to suggest the potential for the space to be used for arts viewing. A young, neighborhood boy raised his hand – and then the real discussions began. “What about the kids?” He asked, “we don’t want to look at sculptures, we want to play sports in our neighborhood”. It was quickly acknowledged that whatever becomes of the space, it will have to meet the needs of the surrounding residents, first and foremost.

It seemed the perfect transition into the presentation “It’s My Park”. The Hester Street Collaborative and Partnership for Parks were presented by Jordan Pender, who explained placemaking - the community benefits of citizen involvement in urban development plans. Along the same lines as the What If Cities initiative at Ecosistema Urbano, Partnerships for Parks now has an online interface called “People Make Parks” which encourages communities participate in the design of their park, incorporating tools like “Design Hoops”, “story map”s and “wish objects”. Lastly, Graem Sullivan, director of the School of Visual Arts and The Pennsylvania State University spoke about the significance as Space for making place for questions.

After a lunch break and a on-site game of Urbanology (it’s great, play it online here), the activities on site switched to a visioning wall workshop. Several tables laid out giant foam puzzle pieces and writing and decorating tools. Speakers, listeners, and passer-bys were encouraged to write their own ideas about what could exist in the space post-BMW/Guggenheim Lab. The puzzle pieces took structure, and the sculpture chart grew in idea potential that raged from Mobile Gardening to Music performance.

The puzzle pieces, we were told, would be presented to the 1st street community, who would lay the ideas in order of preference. The site’s development would depend on this input.

I observed two major take-away points from the First Street Green day’s activities:

First, the potential in the flexible use of raw spaces. Architects Prado and Ajemian suggested a “soft “structure for their proposed community center. Natural materials and a simple structure would allow for later construction or deconstruction. In other words, the architecture of the site could be planned from the beginning to adapt to neighborhood needs. Art in the Parks suggested the idea of installation, not murals or permanent sculpture to share the space. This art form could temporarily expose the neighborhood (and New York’s visitors) to contemporary visual art during periods of the year that the space is unsuitable for lengthy outdoor activities.

Second, the potential of socially engaging tools to integrate local (and larger) communities in urban development plans. These tools give all members of the community, regardless of age or educational status, the ability to impact the future of their shared space. Community members will likely care even more for a space they’ve invested thought into. The more stakeholders in a project, the less likely it will fall into disuse or vandalism.

Ecosistma Urbano is well acquainted with the notion that fluid communication between designers and the communities in which they work is one of the most important aspects of 21st century, sustainable urban development. At DreamHamar’s digital and physical labs, similar social tools are being introduced.

The history of the 33 East first street is, in itself, proof of the potential in communities to develop grassroots urban change. Until mid-October, if you’re in New York, I highly recommend checking out the BMW Guggenheim lab

If you’re in New York some months, years from now, it will interesting to see what becomes of the 33 East first street site as well.

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Hamar Experience 11 | Technology workshop

Category: dreamhamar+events+⚐ EN

Last week the TECHNOLOGY workshop took place and Hamar response was even better than expected. We also had a workshop with students from Bergen School of Architecture, who resulted in a free lunch on Stortorget – with a cow as special guest!

On today’s Hamar Experience 11 Belinda Tato will share pictures and anecdotes from the workshop and the free lunch.

And of course, because Hamar is the star of dreamhamar, Belinda will share the spotlight with a citizen who participated on TECHNOLOGY workshop – Morten Fridstrøm. He will tell us about his experience and if the workshop was everything he expected!

Unfortunately, we will not be able to bring the cow to Hamar Experience. Nevertheless, you’ve got a date with the progress of dreamhamar on Monday, at 18:00h on http://www.dreamhamar.org/category/hamar-experience/

See you this evening!

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Dreamhamar network of european workshops: The Royal Danish Academy of Fine Arts, School of Architecture.

Category: arquitectura+dreamhamar+⚐ EN

Copenhagen 5-9th september 2011

During one week master students and 3rd year students from the Royal Academy of fine Arts, School of Architecture in Copenhagen were working around dreamhamar project. The students were mainly from Denmark but there was an important amount of them coming from countries all around the world. There were students from: Australia, Sweden, Norway, Finland, Chec Republic,
Island,…
The workshop was lead by the danish professor Frans Derniak and the ecosistema urbano partner Jose Luis Vallejo (@jlvmateo).
The main aim of the workshop was to experience public spaces in Copenhagen by directly acting on them and later extract the learning of the process and comunicate to Hamar citizens involved in the design of the new Stortorget Square.

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HAMAR EXPERIENCE 10 | TECHNOLOGY WORKSHOP STARTS TOMORROW!!

Category: dreamhamar+⚐ EN

This is going to be a very interesting week in Hamar. TECHNOLOGY workshop begins tomorrow, Sept. 27th, at 18h at the Physical LAB, with media expert Bjarte Ytre-Arne as community activator.

The workshop will continue on Wednesday 28th, with blogger Juan Freire. TECHNOLOGY ends on Thursday 29th with a lecture and a round table with Bjarte Ytre-Arne and Juan Freire from 19 to 21h.

You can still register for the workshops (dreamhamar@gmail.com) or just show up at the lecture on the 29th.

You are all invited to participate, share your ideas and meet other people interested in the future of Stortorget Square.

Belinda Tato will talk about this and other subjects on today’s Hamar Experience. Remember, you’ve got a date at 18h with Hamar Experience 10!

More info on TECHNOLOGY workshop here (Norwegian)

 

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Dreamhamar Opening event | From parking lot to colorful creative space

Category: ecosistema urbano+eventos+⚐ EN


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Stortorget, Hamar, 1960s

Last Saturday dreamhamar was officially launched in Hamar. Officially that is, as the project has been already running for already 3 months. Ladies and gentlemen, welcome to dreamhamar!

For the past 50 years, the main square of Hamar, Stortorget, has been a parking lot. Alread busy one in the 60′s, as you can see in this picture. This is how things were, until now.  The time has come to say good bye to engines and honks in Stortorget Square.

In December 2013, the construction of the new Stortorget Square will be finished and the square will become public space again. Like back on the day, it will be a public square made of people – rather than cars -, made of the sounds of laughter and distant conversations.

As you may already know, ecosistema urbano is the chosen architecture and urban design firm that will lead the redesigning process of the new square. We decided we didn’t want to wait until to 2013 to enjoy a public space in Hamar, since the city needed it and we needed an outdoor working space for the upcoming workshops where every citizen of Hamar will be able to shape the future of the square. So we set a date: Saturday 17th, September 2011.


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Stortorget 2011. Frank and the bollards. Be careful with your feet!

To celebrate this new beginning for Stortorget, we managed to close the parking lot by simply moving and changing the use of the existing granite bollards, from being the limit of the parking lot, to benches and tables for this temporary public space. As you can see in the picture, we have Frank and his team to thank for this space. It was a simple, but impressive, transformation.

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Stortorget 2011, not a parking lot anymore

A little sunshine is enough to draw people to the square. Now the stone cubes are places to rest, have an ice-cream, jump or talk.


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Boamistura working on the painting design. What will they come up with?

Stortorget was still grey and uninviting. So we called Boa Mistura, an urban art collective from Madrid, to re-interpret the temporary public space.


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Boamistura recreating a pattern based upon Norwegian cultural roots

It took 3 days, 52 hours of work, 120 litters of paints and 10 hands, to transform the space in a cheerful, colorful, stage for creativity and innovation.


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Hurry up, guys! The weatherman forecasted rain!

Starting at 14h, the city of Hamar gathered at Stortorget for the opening event of dreamhamar. At the beginning, no one dared to walk over the new paint, but little by little the space filled with people.

Gry Veronica Engli, a lovely energetic woman who supported the project since the competition phase, presented dreamhamar and invited everyone to participate. Then, the acknowledgements: We thank to Eidvisa Breadbånd, who provides FREE wi-fi to the square! Hamar sentrum who helped us with communication and sound system, MEDIA 1 who supported us with the printing and graphic design, the viking ship for letting us the LED screen and folkehøgskole for letting us use their sound system.

Right after, there was a serie of speeches starting the Mayor, Einar Busterud, and ending with the invited guests.


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The mayor of Hamar, Einar Busterud.

The Mayor had the honour of the opening speech:
These wore some of his words to the citizens of Hamar:
Today we are building the foundation of what the citizens, in a 100 years from now, are going to feel about our main square. In the future, the question will be: - Where were you when Stortorget was redesigned? Then you will have to possible answers: Either you can tell us about your participation, or you can explain why you weren’t there. If you are not participating, don’t complain afterwards. The only certain thing is that the square has to change. So please, come join us for this process. Stand up and be a responsible citizen!”

There were many other speeches (we are planning on publishing them too). When they were over, Gry invited everyone to visit  the dreamhamar office in the basar building - the physical LAB, which was quickly filled with people who were looking at the interactive model, registering for the workshops, reading information about the project. Overall, it was a great sucess as over 60 names were registered!


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The Physical LAB. You are invited to come and visit us!

This is how Stortorget looked after the artistic intervention of Boamistura.

It makes you wanna jump, doesn’t it?

It is amazing what some paint and lots of imagination can do. Get used to experimenting with Stortorget! It has potential!

Those who stayed outside, watched the video introducing the different collaborators of the project. I will leave you with them. As you can see, dreamhamar is in good hands!

Watch dreamhamar collaborators video